shoulders and said, âListen, Camilla, you know what this is? This is a date. A dinner date. Weâll go to Nedickâs and pretend itâs the Persian Room at the Plaza. Okay?â
âOkay,â I said.
We had a lovely time at Nedickâs. There was an old woman sitting next to us drinking that awful orange stuff and I think sheâd been drinking something else before that because every few sips she would throw back her head and sing, and then sheâd give a running commentary on the song and the people in Nedickâs; and one of the men kept threatening to throw her out if she didnât keep quiet. Frank and I pretended the old woman was Hilde garde singing in the Persian Room at the Plaza, and the old woman loved it; I think perhaps sheâd been an actress once upon a time.
She was so happy because we were laughing and paying attention to her that you couldnât mind about her being drunk, and Frank said, âSing some Noël Coward for the young lady, Hildegarde,â and she shook with laughter and said, âNoël Coward. Now, there was an interesting man, dearie. I met him one day down at the Battery when he was writing the weather reports. Youâve never heard weather reports like he wrote. Better than singing commercials,â and then we all laughed and laughed, and then she started singing âCockles and Mussels,â which seemed to be her favorite song.
We took as long over our hamburgers and hot chocolate as we possibly could, and the old woman had one small orange drink after another; but finally Frank and I had to go, so we left her there, drinking her drink and singing âCockles and Mussels.â
Frank took me to the subway and I thought he was going to take me home, but he said, âIâm sorry I canât ride back with you, Camilla, but I promised David Iâd go see him this evening and itâs so late already, Iâm afraid heâll think Iâve forgotten him. Davidâs a veteran. He lost both his legs in the war.â
âOh,â I said. We stood there at the mouth of the subway for a moment and then I said, âThank you for the dinner and everything,â and Frank took my hand in his and held it, and then I turned and ran down the subway stairs.
All the way home I thought about the way he had told me I was beautiful, and the way he had put his hands on my shoulders and told me we were having a date, and the way he had held my hand when we said good-bye; and for the first time growing up seemed something pleasant to me. Luisa canât wait to grow up and go to medical school and everything, but Iâve kept having the feeling that if I werenât growing up, everything would be all right with Mother and Father, and Jacques would never have happened.
Once Luisa asked me, âDo you think Jacques is the first one?â
âThe first what?â
âNow, Camilla,â Luisa said, âdonât pretend to be dumber than you are. You know perfectly well what I mean.â
So I said, very firmly, âYes.â
And Luisa said, âI hope youâre right, Camilla. I sincerely hope youâre right,â and shook her head in a way that reminded me of Mona. But I knew that I was right. Before Jacques started coming to the apartment everything was all simple and easy; now it is all complicated and difficult.
Before Jacques. After Jacques. I seemed to label everything like that.
But it was a funny thing: while I sat there in the subway on my way home I began to wonder for the first time if Jacques was really the only reason that everything seemed changed, or if he was only, as Luisa would say, the symptom and not the disease. Even before I was really aware of Jacques, things seemed somehow different; sitting there and looking at an ad for corned-beef hash, I had to admit that.
Just the little unimportant things, walking alone down on the beach in Maine on the long summer evenings; tea parties
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