open field on either side to get around them. I made a note to hire a backhoe to come out and make that harder. Leaving one half of the gate open, I drove up to the main house and turned the shepherds loose.
Nothing had changed, as best I could tell. A gentle spring breeze was stirring the trees around the house. I could see signs of bulbs sprouting in the garden beds among all the weeds. The view from the porches was very nice: rolling fields, dense greenery down in the river bottoms, and a few thousand trees beginning to swell their tops with a green haze. I heard a vehicle coming up the gravel drive. It turned out to be Sheriff Hodge Walker, rolling in his personal cruiser.
"Saw the gates open, thought I might find you here," he said, getting out of his vehicle. The shepherds greeted him, and he stopped to pet each one. "Heard you resolved your ghost problem the other night."
"After a fashion," I said. "I nailed a shooter, and the weapon was the same one that fired the warning round, but so far we can't tie him to an employer." I told him about the parole officer's little playacting with Billie Ray.
"I'll pulse the Manceford County system, see if we can find out what kind of ride your ghost is drivin' these days," he said. "Get that data up in our patrol division computers. One of my deputies sees your ghost, we'll get you some warning."
"I'd certainly appreciate that," I said. "I don't think he knows about this place, but there's no telling, these days. A deed gets recorded, and a Web search can find it."
"Maybe not quite yet, not in this county," he said with a grin. I remembered the old man down at the courthouse.
We chatted for a few minutes. I gave him my cell phone number and told him I'd be staying across the road in the stone cottage as soon as they got a lease drawn up. He took it all aboard, wished me luck with the restoration project, and left. I went inside the house to look around some more.
Some old houses are spooky by nature. This one wasn't. I think there were simply too many tall windows to give any self-respecting real ghost any privacy. I liked the way the floors had become a little wavy here and there, and I tried to visualize what it would look like with new paint and furnishings. I reminded myself to get all that weird wallpaper off the ceilings. The subground floor was a little more gloomy but smelled pleasantly of a hundred-plus years of fireplace smoke and old wood.
I noticed that the floorboards on the lowest level did not feel as solid as I would have expected. Was there a basement? I went looking, and the shepherds followed me from room to room, sniffing everything. The main kitchen was on this half-underground floor. It was dominated by a huge, nineteenth-century-style walk-in stone fireplace built against the rear wall. Based on the layer of ashes in the grate, it was still operational. The floor was made of random-width pine boards, burnished to a mahogany color by years of use and kitchen spills. The fireplace stuck out into the kitchen a good five feet from back to hearth. It was flanked by pantries on either side. I found what I was looking for in the right-hand pantry--a trapdoor, which I assumed led down into a basement. What surprised me was the bits of fresh mud on the floor and the fact that the crack around the trapdoor was clear of any dust and debris. Someone had been down there, andrecently, too. I wondered if it had been Ms. Valeria, on that day when I encountered her in the house.
I pulled up the trapdoor and latched it back against the empty shelves. A set of surprisingly wide wooden steps led down into complete darkness. I looked for a light switch, but there wasn't one. I searched around the kitchen for a flashlight, but the drawers were mostly empty except for some ancient cooking utensils. There was a single, well-used candle in a lead-colored holder in one corner, but no matches that I could find. Glory's End had electricity and relatively modern indoor
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