being leaked to the press. ‘In short,’ II Manifesto concluded, ‘we once again find ourselves enveloped by sinister and suggestive mysteries, face to face with one of those convenient deaths signed by a designer whose name remains unknown but whose craftsmanship everyone recognizes as bearing the label “Made in Italy”.’
‘This one?’
The taxi had drawn up opposite an unpainted wooden door set in an otherwise blank wall. There was no number, and for a moment Zen hesitated. Then he saw the black Fiat saloon with SCV number plates parked on the other side of the street, right under a sign reading PARKING STRICTLY FORBIDDEN. It could sit there for the rest of the year without getting a ticket, Zen reflected as he paid off the taxi. Any vehicle bearing Sacra Città del Vaticano plates was invisible to the traffic cops.
A metal handle dangled from a chain in a small niche beside the door. Zen gave it a yank. A dull bell clattered briefly, somewhere remote. Nothing happened. He pulled the chain again, then got out a cigarette and put it in his mouth without lighting it. A small metal grille set in the door slid back.
‘Yes?’ demanded a female voice.
‘Signor Bianchi.’
Keys jingled, locks turned, bolts were drawn, and the door opened a crack.
‘Come in!’
Zen stepped into the soft, musty dimness inside. He just had time to glimpse the speaker, a dumpy nun ‘of canonical age’, to use the Church’s euphemism, before the door was slammed shut and locked behind him.
‘Follow me.’
The nun waddled off along a bare tiled corridor which unexpectedly emerged in a well-tended garden surrounded on three sides by a cloister whose tiled, sloping roof was supported by an arcade of beautifully proportioned arches. Zen’s guide opened one of the doors facing the garden.
‘Please wait here.’
She scuttled off. Zen stepped over the well-scrubbed threshold. The room was long and narrow, with a freakishly high ceiling and a floor of smooth scrubbed stone slabs. It smelt like a disused larder. The one window, small and barred, set in the upper expanses of a bare whitewashed wall, emphasized the sense of enclosure. The furnishings consisted of a trestle table flanked by wooden benches, and an acrylic painting showing a young woman reclining in a supine posture while a bleeding heart hovered in the air above her, emitting rays of light which pierced her outstretched palms.
Zen sat heavily on one of the benches. The tabletop was a thick oak board burnished to a sullen gleam. He took the cigarette from his lips and twiddled it between two fingers. It seemed inconceivable that only half an hour earlier he had been lying in a position not dissimilar from that of the female stigmatic in the painting, wondering if it was worth bothering to get out of bed at all given that Tania would be back shortly after two. For no particular reasons, he had decided to treat himself to a couple of days sick-leave. Like all state employees, Zen regularly availed himself of this perk. A doctor’s certificate was only required for more than three days’ absence, and as long as you didn’t abuse the system too exaggeratedly, everyone turned a blind eye. That was how Zen had known that something was seriously wrong when Tania told him about Moscati checking up on him. When he phoned in, Lorenzo Moscati had left him in no doubt whatever that the shit had hit the fan.
‘I don’t know how you do it, Zen, I really don’t. You take a simple courtesy call, a bit of window-dressing, and manage to turn it into a diplomatic incident.’
‘But I …’
‘The apostolic nuncio has intervened in the very strongest terms, demanding an explanation, and to make matters worse half the blue bloods at the Farnesina were fucking related to Ruspanti. Result, the Minister finds himself in the hot seat just as the entire government is about to go into the blender and he had his eye on some nice fat portfolio like Finance.’
‘But I
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