Burn

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Authors: John Lutz
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does.”
    “Some of the time’s enough.”
    She half turned in her chair and stared at the boats looking white and antiseptically clean in the sunlight, and at the sea beyond them, gone from blue to deep green in the evening light. Night was on the way.
    Then she stood up, very erect, still lean-waisted. “I’ve got to give this a lot of thought, Fred.”
    He shoved his chair back, scraping metal over concrete, and grabbed his cane. He didn’t stand up, though. “Do you want me to be with you tonight?”
    “I’d rather you weren’t,” she told him. “I need to think on it alone.”
    “I’ll drive you back to your car.”
    “No, I’ll walk along the beach awhile, then I’ll take a cab. Do me good.”
    “You sure?”
    She leaned down, careful not to bump her head on the umbrella, and kissed his cheek. “I’m sure.”
    He gathered up all the uneaten food and the wrappers and placed them on the plastic tray, preparing to leave.
    “What are you going to do?” she asked.
    He used his forefinger to push his sunglasses back up where they’d slid from the bridge of his nose. “If she’s home, I’m going to talk to W. Krull.” He stood up and carried the tray to a trash receptacle, dumped its contents, and sat it on top of a stack of identical trays around which several fat flies droned. “I’ve got to do something.”
    He watched Beth walk out of sight before he started the car and pulled out into traffic on Magellan.
    As he drove, he thought about his son, Chipper, who’d been burned to death by a mentally disturbed killer five years ago. The son who would forever be eight years old in Carver’s mind, the age at which he’d died.
    For the first time in years, he found tears tracking down his cheeks.
    He thanked God he was wearing dark glasses.

10
    A FTER HE PARKED ON Fourteenth Street across from W. Krull’s apartment, Carver peeled off his sunglasses and slid them into his shirt pocket. He’d stopped by the office to get his light gray sport jacket. He removed the jacket from its wire hanger, hooked over one of the convertible top’s steel struts, and shrugged into it, fastening a button: instant officialdom, and the taco sauce stains on his shirt were concealed.
    A young, blond woman and a tall Hispanic man were leaving the building as Carver limped with his cane around the dry pool with its maimed fish fountain. The man thought Carver was staring at the woman and shot him a glance that carried a mild warning. Carver wondered if they were married, or had children.
    He made his way up a narrow flight of wooden stairs and found apartment 2-D halfway down a carpeted hall that smelled of mildew and had low-wattage bulbs in brass sconces every ten feet or so along the walls. At the far end of the hall was a small, square window that grudgingly let in light that fell in a rectangle on the carpet and ventured no farther. The doors lining the hall had been painted dark red years ago. The apartment numbers tacked to them were the plastic, reflective kind made for outside addresses.
    Carver rapped lightly on the door with his cane, and a moment later locks clicked and bolts slid from their casings. A woman’s voice called something he couldn’t make out, then more locks were released. W. Krull seemed to share Marla Cloy’s cautious nature.
    The door opened about four inches and she peered out at him over a taut brass chain.
    “I’m investigating the Marla Cloy harassment,” he said.
    She continued staring at him with her one visible bleary blue eye, like a mouse peeking fearfully from its hole. Carver the cat thought there was nothing friendly or approachable about the eye.
    “Your name came up. I’d like to talk with you.” He gave her his most reassuring smile and flipped open his wallet as if flashing police identification, holding the wallet well to the side so she’d have to strain to see around the vertical plane of the partly opened door.
    “That isn’t police ID,” she said.
    He

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