words DEMOLITION SITE, DO NOT CROSS. All I could think was that somewhere inside that darkened, haunted-looking theater was a weak and sickly bunny searching for his mother. Was she even in there? Or was Bunnicula pursuing a memory, a wish, a phantom?
âAre w-we g-g-going in there?â Howie stammered next to me. âIt looks scary, Uncle Harold. Like
Night of the Living Gargoyles.â
âExcuse me?â
âNumber eighteen. Thereâs this boy, see . . .â
âHowie,â I said, âwe have to get Bunnicula out of there before the building is torn down tomorrow.â
âWhat about his mother?â
âYes, well, weâll get her out, too, of course.â I didnât tell Howie that I had serious doubts Bunniculaâs mother was in there.
I also had serious doubts we would be in there anytime soon. This was a challenge that would have stumped Felony and Miss Demeanor. It was too dark to find a way inâand even if we did get past all the barricades and doors locked with chains, it would probably be pitch-black. Besides, I told myself, if we looked for Bunnicula now, the Monroes would miss us. No, it would be better to return first thing in the morning, when there was light.
Howie didnât give me an argument. He was as glad as I was to be out of there. And the Monroes were glad to see us when we returned.
Howie, being young and without worries, slept soundly that night. I did not. When I wasnât worrying about whether weâd be able to rescue Bunnicula before the wrecking crew did its work, I was thinkingabout what had happened between Chester and me. I kept thinking how only days before I had been so happy that things were normal around our house and how quickly everything had changed. Not everything, perhaps, but the friendship that mattered most to me in the world had been destroyed. And by my own doing. Had I been right to do it? I couldnât let Chester harm Bunnicula. I had to draw the line somewhere. So why was it that every time I licked my lips that night I tasted salt?
Just before dawn I fell asleep, only to be awakened a short time later by Tobyâs cry of âDo I
have
to go?â
âNo,â I heard Mrs. Monroe say, âyou donât have to go. You can go over to Jaredâs house if you want.â
âYouâre such a wuss,â Pete said to his brother. âDonât you want to see it get knocked down? Itâs going to be
so
cool!â
âIf youâre going to cheer,â Mrs. Monroe said then, âmaybe you should go to Kyleâs house, Pete. Our committee is going to register one final protest. No, it wonât stop the wrecking ball at this point, but itâs important for us to be there as a voice, as a conscience, Pete. The movie house is the most beautiful and architecturally interesting building inCenterville. It should be preserved, not torn down. We live in a throwaway society. Someone has to be there to say, âThis is wrong.â Do you understand?â
âCan I have chocolate milk for breakfast?â Pete asked.
Mrs. Monroe sighed. âItâs âmay I,â and yes, you may,â she said.
âI want to be a conscience,â Toby piped up. âLike you and Dad. Iâll go.â
Conscience. There was something about that wordâand then my fuzzy, half-awake brain remembered.
âHowie!â I cried.
Howie jumped up from where he was sleeping and bumped his head on the underside of the coffee table.
âOuch! What?â he asked.
I answered with one word: âBunnicula!â
We were out of the house in ten minutes flat. Okay, we might have been faster if we hadnât stopped off in the kitchen to have breakfast first. But we needed our strength. Besides, we didnât want to make the Monroes suspicious.
By the time we got to the theater, a crowd was alreadybeginning to gather. There were even a couple of reporters and TV cameras. And there,
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