Bridge for Passing

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Authors: Pearl S. Buck
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done and now it remained only for me to get home quickly. I said yes, yes, yes, over and over again and gave my love and thanks to them all. Then when I had hung up the receiver, it was suddenly all too much. For the first time I let myself feel, and acknowledge, that it had all been too much from that day, seven years ago, in a sunny park in Sheridan, Wyoming, when the first blow had fallen. Such a little blow it had seemed at the time—no more than a mild heat stroke, we thought. We had planned for several years to take a family summer trip through the West, to Yellowstone Park and then into Oregon and Washington. It had been a comfortable and happy time, all of us in a big air-conditioned car, driven by our tried and true chauffeur. “The trip will be good for him,” our family doctor had said, “if he does not do the driving.”
    So it had seemed, until that sunny day. The next day we were to go on to Yellowstone. The next day, instead, he and I stayed in a pleasant ranch house while the children went on and came back and we all went home, still thinking it was nothing, but that we had better go home, at any rate to be near our own doctor. The Sheridan doctor had not been quite sure it was a heat stroke. Later we knew it was not. But he seemed as well as ever, as vigorous, still carrying on his busy life in the New York offices and in the country office at home.
    I hid my face with my hands when I put up the receiver and struggled with myself. And Miki, with that delicacy so natural to Asia, ancient and accustomed to human sorrow, sat beside me in silence, not putting forth her hand to touch me, knowing that all comfort was vain, except the comfort of a friend sitting quietly beside me. I struggled through and wiped my eyes and Miki rose.
    “The children are waiting for us,” she said.
    Those were her words, but what she really said was that I must live and begin now to live. Death must not interrupt life. There were others waiting for us. I followed her out of the small room and she led me to the theater.
    The audience was the older children, the staff and ourselves. The entertainment was dancing and music, the music a jazz band and folk singing. What interested me was the children. They were strikingly beautiful, without exception, and obviously talented. The girls in kimono did Japanese dances with fans and flowers in the ancient style. The jazz band was made up of boys, many of them half-Negro, and they were handsome indeed.
    I confess on that day, when I sat looking at Miki’s children and listening to them, it seemed to me that I could never smile again. Yet the children brought me their own comfort and in love and determination I decided that, insofar as I was able, I would help Miki to find families for them.
    The afternoon came to an end. It was time to go back to Tokyo and time to go home. Miki refused to leave me until the last moment.
    The jet took off at midnight. Friends came to see me off and their kindness and affection wrapped me around. But they had to return to their own lives and I had mine to face, and there was a certain comfort in being at last among strangers, to whom I need make no response. I found my seat, fastened my belt and leaned back and closed my eyes. It was the first moment that I had been totally alone since the moment that morning when the world had changed. Long ago, when I knew my child was to be permanently retarded, I learned that there are two kinds of sorrow, one which can be assuaged and one which cannot be assuaged. This one was different, yet alike in that it, too, was not to be assuaged. Nevertheless, years ago I had learned the technique of acceptance. The first step is simply to yield one’s self to the situation. It is a process of the spirit but it begins with body. There, belted into my seat while the aircraft rose into the black sky of night, I consciously yielded my body, muscle by muscle, bone by bone. I ceased to resist, I ceased to struggle. Let come what

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