you jump, almost as though you’d sat on a pin, they seem so new and exciting even though they’re about something hypnopædically obvious. But that doesn’t seem enough. It’s not enough for the phrases to be good; what you make with them ought to be good too.”
“But your things are good, Helmholtz.”
“Oh, as far as they go.” Helmholtz shrugged his shoulders. “But they go such a little way. They aren’t important enough, somehow. I feel I could do something much more important. Yes, and more intense, more violent. But what? What is there more important to say? And how can one be violent about the sort of things one’s expected to write about? Words can be like X-rays, if you use them properly—they’ll go through anything. You read and you’re pierced. That’s one of the things I try to teach my students—how to write piercingly. But what on earth’s the good of being pierced by an article about a Community Sing, or the latest improvement in scent organs? Besides, can you make words really piercing—you know, like the very hardest X-rays—when you’re writing about that sort of thing? Can you say something about nothing? That’s what it finally boils down to. I try and I try …”
“Hush!” said Bernard suddenly, and lifted a warning finger; they listened. “I believe there’s somebody at the door,” he whispered.
Helmholtz got up, tiptoed across the room, and with a sharp quick movement flung the door wide open. There was, of course, nobody there.
“I’m sorry,” said Bernard, feeling and looking uncomfortably foolish. “I suppose I’ve got things on my nerves a bit. When people are suspicious with you, you start being suspicious with them.”
He passed his hand across his eyes, he sighed, his voice became plaintive. He was justifying himself. “If you knew what I’d had to put up with recently,” he said almost tearfully—and the uprush of his self-pity was like a fountain suddenly released. “If you only knew!”
Helmholtz Watson listened with a certain sense of discomfort. “Poor little Bernard!” he said to himself. But at the same time he felt rather ashamed for his friend. He wished Bernard would show a little more pride.
5
Part 1
By eight o’clock the light was failing. The loud speakers in the tower
of the Stoke Poges Club House began, in a more than human tenor, to announce the closing of the courses. Lenina and Henry abandoned their game and walked back towards the Club. From the grounds of the Internal and External Secretion Trust came the lowing of those thousands of cattle which provided, with their hormones and their milk, the raw materials for the great factory at Farnham Royal.
An incessant buzzing of helicopters filled the twilight. Every two and a half minutes a bell and the screech of whistles announced the departure of one of the light monorail trains which carried the lower caste golfers back from their separate course to the metropolis.
Lenina and Henry climbed into their machine and started off. At eight hundred feet Henry slowed down the helicopter screws, and they hung for a minute or two poised above the fading landscape. The forest of Burnham Beeches stretched like agreat pool of darkness towards the bright shore of the western sky. Crimson at the horizon, the last of the sunset faded, through orange, upwards into yellow and a pale watery green. Northwards, beyond and above the trees, the Internal and External Secretions factory glared with a fierce electric brilliance from every window of its twenty stories. Beneath them lay the buildings of the Golf Club—the huge Lower Caste barracks and, on the other side of a dividing wall, the smaller houses reserved for Alpha and Beta members. The approaches to the monorail station were black with the ant-like pullulation of lower-caste activity. From under the glass vault a lighted train shot out into the open. Following its south-easterly course across the dark plain their eyes were drawn to the
E.G. Foley
Franklin W. Dixon
E.W. SALOKA
Eric Jerome Dickey
Joan Lennon
Mitzi Miller
Love Me Tonight
Liz Long
David Szalay
Kathleen Alcott