purses. But the faces of the people came to her at night, and she felt guilt then, like hot ashes.
Annabelle came up beside her. She kept her hands crossed over her stomach. The baby was obvious now.
âYouâre gonna have to tell Tommy, instead of avoiding him and the dancehall,â Mollie said.
âHeâs avoiding me, too.â
âYeah, well.â
âIâm not gonna be able to work much longer.â
âI know.â Mollie felt a thick pain begin in her head.
âIâm gonna need to do something else.â
âThen be my stall. You know how to do that.â
âI mean after that, Moll. When weâre in Brooklyn. I want a job. Iâm sick of men touching me. And I canât do itânot with a baby.â
âA job. Thatâs funny.â
âWhat does that mean?â
âYou been walking the streets all your life. You tell me what else you can do.â
Annabelle stopped in her tracks. âFuck you, Mollie Flynn.â
Mollie knew she shouldnât have said it, but she also knew it was true. Or had been, until the goddamn baby. Until the money on the table had started to dwindle to dimes and quarters. âIâm sorry.â
Annabelle walked away from Mollie, then turned on the heel of her red shoe and said, âI can change. And one day Iâm gonna be able to walk straight into Mass and not have one goddamn sin to confess.â
âI said I was sorry.â
âDo the job for Tommy. I donât care.â
Mollie watched the bounce of curls as Annabelle stomped away.
Â
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âBuy a flower or your future?â
Mollie started. She turned to the rumpled figure in the doorway.
A woman sat cross-legged, a spread of cards in the rags of her skirt. The crown of her head was mottled brown and pink, showing through tufts of white hair. She raised her gaze to Mollie; her eyes were milky and blind. The red paint on her lips crept into the crevices age had dug around her mouth. A basket of springâs first wildflowers, obviously pulled from an empty lot, edged with the brown of frost and sighing over the sides, rested nearby.
âWell, hell. Hermione Montreal,â Mollie said. How often she and Annabelle had sat in Hermioneâs burgundy-festooned apartment, sneezing at the dust, and giggling from the whiskeys sheâd proffered them.
âAh, my fame precedes me. Flower or future?â
âWhat happened to you?â
âThe ides of progress. My building was ripped down on the approach to the bridge. Flower or your future?â
âI donât got money for either.â
âThe day is sweet. Indulge me.â She held out her gnarled hand. âI do not bite.â
When Mollie set her hand in Hermioneâs, she felt the tick of the old womanâs pulse against her own. She saw the burgundy curtains flung to the street, the great wrecking ball smashing through the tenement, the set of tiny whiskey glasses shattered on the floor. Then there was again only her hand in the old womanâs.
âPick a card.â
Mollie ran her fingers over the edges of the cards, felt the oil from so many hands. Then she pulled one from the arc.
âWhat is it?â Hermione asked.
âA wheel,â Mollie said.
âThe Wheel of Fortune. All of life contained within its circle: sadness and joy, cruelty and kindness, the future and the past. It stops for no one and nothing, for it is life itself. It may roll backwards to that you no longer wish to see, or forward to that you are terrified to know. It is your choice which way the wheel rolls. Pick another. Just one more.â
Mollie crouched in front of Hermione.
âWhat is it?â
âSwords.â
âHow many?â
âFive.â
âAh, memory and fear. Five fears: betrayal, abandonment, ruin, joy, love. You hide behind walls to escape the fear that what hurt you once will hurt you again. But which is the fear that hurts you
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