Blow-Up

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Authors: Julio Cortázar
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us, there would never be anything, there’d be absolutely nothing, and that’s what nothing was, that there would never again be a flower. The lit match burned my fingers, it smarted. At the next square I jumped on a bus going, it wasn’t important where, anywhere, I didn’t know, and foolishly enough I started looking around, looking at everything, everyone you could see in the street, everyone on the bus. When we came to the end of the line I got off and got onto another bus going out to the suburbs. All afternoon, until night fell, I got off and on buses, thinking of the flower and of Luc, looking among the passengers for someone who resembled Luc, someone who looked like me or Luc, someone who could be me again, someone I could look at knowing it was myself, that it was me, and then let him go on, to get off without saying anything, protecting him almost so that he would go on and live out his poor stupid life, his imbecilic, abortive life until another imbecilic abortive life, until another imbecilic abortive life, until another …”
    I paid the bill.

 

CONTINUITY OF PARKS

    H e had begun to read the novel a few days before. He had put it down because of some urgent business conferences, opened it again on his way back to the estate by train; he permitted himself a slowly growing interest in the plot, in the characterizations. That afternoon, after writing a letter giving his power of attorney and discussing a matter of joint ownership with the manager of his estate, he returned to the book in the tranquillity of his study which looked out upon the park with its oaks. Sprawled in his favorite armchair, its back toward the door—even the possibility of an intrusion would have irritated him, had he thought of it—he let his left handcaress repeatedly the green velvet upholstery and set to reading the final chapters. He remembered effortlessly the names and his mental image of the characters; the novel spread its glamour over him almost at once. He tasted the almost perverse pleasure of disengaging himself line by line from the things around him, and at the same time feeling his head rest comfortably on the green velvet of the chair with its high back, sensing that the cigarettes rested within reach of his hand, that beyond the great windows the air of afternoon danced under the oak trees in the park. Word by word, licked up by the sordid dilemma of the hero and heroine, letting himself be absorbed to the point where the images settled down and took on color and movement, he was witness to the final encounter in the mountain cabin. The woman arrived first, apprehensive; now the lover came in, his face cut by the backlash of a branch. Admirably, she stanched the blood with her kisses, but he rebuffed her caresses, he had not come to perform again the ceremonies of a secret passion, protected by a world of dry leaves and furtive paths through the forest. The dagger warmed itself against his chest, and underneath liberty pounded, hidden close. A lustful, panting dialogue raced down the pages like a rivulet of snakes, and one felt it had all been decided from eternity. Even to those caresses which writhed about the lover’s body, as though wishing to keep him there, to dissuade him from it; they sketched abominably the frame of that other body it was necessary to destroy. Nothing had been forgotten: alibis, unforeseen hazards, possible mistakes. From this hour on, each instant had its use minutely assigned. The cold-blooded, twice-gone-over re-examination of the details was barely broken off so that a hand could caress a cheek. It was beginning to get dark.
    Not looking at one another now, rigidly fixed upon the task which awaited them, they separated at the cabindoor. She was to follow the trail that led north. On the path leading in the opposite direction, he turned for a moment to watch her running, her hair loosened and flying. He ran in turn, crouching among the trees and hedges until, in the yellowish fog of

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