after all, he had survived. Once a fighter, a master bowman, the most accurate of archers who could send a grey goose-feathered shaft into any target. The French had captured Wenlock and hacked off the bowman fingers on each hand. Wenlock bore his infirmity well and always comforted the others. Yet he and Mahant had still not returned and probably would not be back until later. So Ailward had come here to be distracted, as he always was, by the vivid array of wall paintings which dominated the south aisle. A collection of stories demonstrating the power of God over Satan and all his works, especially when the forces of hell confronted the black monks, the followers of St Benedict. Some of these wall paintings, or so he was given to understand, were the work of the anchorite, that mysterious person who had once been an itinerant painter as well as the Hangman of Rochester, a service he still carried out for the abbot. Ailward was always fascinated by such frescoes, especially those which celebrated events from the history of St Fulcher’s such as the former abbot who had foiled an evil spirit stealing wine from the abbey cellars. Ailward smiled as his fingers traced the story. The abbot had sealed all the taps of the barrels with holy chrism oil as a trap for the demon. The next scene showed a black-limbed, red-faced devil, fiery charcoal eyes glaring, green horns twitching, glued to one of the barrels. A further story, depicted in glowing colours, narrated how a young novice monk was tempted and threatened by a demon who flung his hellish cloak over the novice’s tonsure, burning his head and blistering his skin. The painting then showed the young novice on his knees begging St Benedict to assist him, which the great saint did in a blaze of shimmering light. Ailward closed his eyes and turned away. In truth he had also come here for help, for assistance, to pray, but who would listen to him? A former soldier whose soul was sin-burdened, sin-scorched, buried deep in all kinds of crimes against both God and man?
‘Corpse-maker, slave of hell, ravenous hell brute, coward!’
Ailward almost screamed at the voice which rang like a trumpet blast through the greying light, echoing under the ribbed-vault ceiling.
‘Slash of blood, raging demons, bloated and dangerous, battle-scarred. Terrors gather amongst us . . .’
Ailward relaxed, tapping the pommel of his sword for comfort. He recognized the sepulchral voice of the anchorite in his cell built further along the south aisle. Once a small chantry chapel with altar, ambo and sanctuary, the entire closure had been bricked up except for a small door and a ledge in the front.
‘Mad as a barrel of crickets!’ Ailward whispered reassuringly as he made his way along. He reached the anker house and stared through the aperture. In the poor light he could only dimly make out the anchorite’s tangled hair, the frenetic eyes glaring back.
‘Good morrow, Brother,’ Ailward grated.
‘Good morrow to you too.’ The anchorite’s voice was surprisingly soft and clear. ‘Frightened are we, soldier, of the jabbing daggers, the swish of smooth swords? Oh yes, I’ve heard about the harrower of the dark who crawled through the gloaming and captured one of your kind. You lived for the arrow storm; you’ll die in the arrow storm.’
‘And you,’ Ailward taunted back, ‘live in fear of ghosts?’
‘We all have wolfish souls and hate-honed hearts,’ the anchorite retorted. ‘Guilty, God cursed.’ The anchorite breathed out noisily – a gust of air through the aperture. ‘And you, soldier, don’t the spirits gather around you? The ghosts of my wife and child?’
‘I’ve heard your fable,’ Ailward snapped, ‘your family’s blood is not on our hands. You rant and rave. You chatter like some earth-bound spirit but no one listens.’
‘I do,’ the anchorite whispered. ‘I listen to all the tales, especially about your comrade’s death.’
‘What do you know about
Patricia Scott
The Factory
Lorie O'Clare
Lane Hart, Aaron Daniels, Editor's Choice Publishing
Loretta Hill
Stephanie McAfee
Mickey Spillane
Manning Sarra
Lynn Hagen
Tanya Huff