himself. He was in the grip of something too strong to break.
He realized that Vivian was wrong for him, that it was out of the question for him to marry her. He was a baronet, a respected Member of Parliament, with a brilliant future. He was part of the Roffe dynasty, on the board of directors of the company. Vivian had no background to help her cope with Alec’s world. Her mother and father had been second-rate music-hall artists, playing the provincial circuit. Vivian had had no education except for what she had picked up in the streets, or backstage. Alec knew that she was promiscuous and superficial. She was shrewd but not particularly intelligent. And yet Alec was obsessed with her. He fought it. He tried to stop seeing her, but it was no use. He was happy when he was with her, and he was miserable when he was without her. In the end he proposed to her because he had to, and when Vivian accepted, Sir Alec Nichols was ecstatic.
His new bride moved into the family house, a beautiful old Robert Adam house in Gloucestershire, a Georgian mansion with Delphic columns and a long sweeping driveway. It was set amid thegreen of a hundred acres of lush farmland, with its own private hunting, and running streams to fish. At the back of the house was a park that had been laid out by “Capability” Brown.
The interior of the house was stunning. The large front hall had a stone floor and walls of painted wood. There were pairs of old lanterns and marble-topped Adam giltwood tables and mahogany chairs. The library had original eighteenth-century built-in bookcases, and a pair of pedestal tables by Henry Holland, and chairs designed by Thomas Hope. The drawing room was a mixture of Hepplewhite and Chippendale, with a Wilton carpet, and a pair of Waterford glass chandeliers. There was a huge dining room that would seat forty guests, and a smoking room. On the second floor were six bedrooms, each with an Adam fireplace, and on the third floor were the servants’ quarters.
Six weeks after she had moved into the house, Vivian said, “Let’s get out of this place, Alec.”
He looked at her, puzzled. “You mean you’d like to go up to London for a few days?”
“I mean I want to move back to London.”
Alec looked out the window at the emerald-green meadows, where he had played as a child, and at the giant sycamore and oak trees, and he said hesitantly, “Vivian, it’s so peaceful here. I—”
And she said, “I know, luv. That’s what I can’t stand—the fucking peace!”
They moved to London the following week.
Alec had an elegant four-story town house in Wilton Crescent, off Knightsbridge, with a lovely drawing room, a study, a large dining room, and at the back of the house, a picture window that overlookeda grotto, with a waterfall and statues and white benches set amid a beautiful formal garden. Upstairs were a magnificent master suite and four smaller bedrooms.
Vivian and Alec shared the master suite for two weeks, until one morning Vivian said, “I love you, Alec, but you do snore, you know.” Alec had not known. “I really must sleep alone, luv. You don’t mind, do you?”
Alec minded deeply. He loved the feel of her soft body in bed, warm against him. But deep inside, Alec knew that he did not excite Vivian sexually the way other men excited her. That was why she did not want him in her bed. So now he said, “Of course I understand, darling.”
At Alec’s insistence, Vivian kept the master suite, and he moved into one of the small guest bedrooms.
In the beginning, Vivian had gone to the House of Commons and sat in the Visitors’ Gallery on days when Alec was to speak. He would look up at her and be filled with a deep, ineffable pride. She was undoubtedly the most beautiful woman there. And then came the day when Alec finished his speech and looked up for Vivian’s approval, and saw only an empty seat.
Alec blamed himself for the fact that Vivian was restless. His friends were older than Vivian,
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