was the Queen of Swordsâa woman in black, a wildcat with a bobbed tail and yellow eyes on her lap, claws drawing blood on her right thigh. The queen held a sword with a silver blade dripping with blood. The Knight of Wands was the center card: He sat on a rearing black horse, holding a bloodied stake and silver sword, with vampire heads beneath the horseâs hooves. A wolf howled in the background, head angled up toward a full moon. The Knight of Swords was at the bottom but was upside down, the first time a knight had appeared that way. His bloodied sword was silver and black, and a huge catâa black leopard with yellow-gold eyesâsat on the horseâs rump.
The cards were so old that paint flecked off them as Loriann worked. The edges were rounded and worn from long use. Despite himself, Rick was intrigued. It was almost as if he could sense meaning in the cards, but it seemed to be just out of reach or around the next corner. As if all he had to do was reach out or take a single step, and he would understand. But the significance was elusive, fragmentary.
On the layout of cards in a cross pattern to the side were the Major Arcana. The Wheel of Fortune was in the middle, with animals racing on the wheelâa wolf, a big black cat, a flying owl, an alligator, a spotted dog, and a bear. Around it in a cross pattern was the Devilâa horned, wolf-headed beast with owlâs wings, a horseâs legs, and cloven feet. The Devil had bloody fangs, and claws hidden in the wing feathers. The Hanged Man was an American Indian chief in full feathered headdress. He had been tortured before the hanging, and a black leopard was curled up on the hanging branch above him, sleeping. At his feet were a small wolf, or a coyote, watching him and salivating, and a grouping of turkey buzzards staring at his head. A card called Strength was painted with an angry mountain lion, screaming, clawing the air, sitting on a dead vampire, both with fangs bared. The last card was the Tower. It was on fire, and people and animals were falling out of it.
Loriann studied the tarot placement for a while, while Rick tried to read somethingâanythingâin the cards. âAnimals,â Loriann muttered. âVampires. Change everywhere.â And then, âAhhh. I see.â
âWell, I donât.â
She gathered up the cards and put them away, then brought her needles and tattooing equipment closer. âYour future is both set and undecided. There are two moments when you will be allowed to choose, and both moments will change the course of your future. One is now, with the tattoo and the blood Iâll use to bind you to Isleen. You may choose canines, equines, or felines. Which do you desire?â
He almost said
horses
, but the word that came from his mouth was âCats.â He stopped, surprised, because he detested his sistersâ cats, and preferred dogs and horses. He shook that away and asked, âBut why me? Isleen said something about revenge on Katarina Fonteneau. Is that Katie of Katieâs Ladies?â
Loriann nodded. âKatie did something bad to Isleen a long time ago. Iâm not sure what. But she can use this spell to get back at her through your bloodline.â
âHow?â
Loriann looked at him in true surprise. âBecause Katie is your motherâs great-great-something-or-other-grandma.â
âNââ Rick started to disagree and stopped.
The memories of some weird things returned. Money for his education, deposited into his account, a gift from a distant cousin. His sisterâs medical bills for leukemia, the huge ones not covered by insurance. They had amounted to nearly four hundred thousand dollars. Paid in full by that same distant cousin. His mother disappearing on Christmas Eve every year for an entire night. The strange French-accented voice on the phone several times, calling for his mother. At night. Always and only at night.
Son of a
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