Billy Lynn's Long Halftime Walk

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Authors: Ben Fountain
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glancing at Major Mac, who nods. Billy has made sure to sit next to Dime and Albert, because whatever they say he means to hear it. He knows he doesn’t know enough. He doesn’t know anything, basically, at least nothing worth knowing, the measure of worth at this point in his life being knowledge that quiets the mind and calms the soul. So he makes it his business to sit next to Dime, and where Dime sits, that’s the head of the table. Albert is to Dime’s right, then A-bort, Day, Lodis, Crack, Sykes, Major Mac, Mango, and finally, rounding off the circle, Billy. So how about a couple of place settings for Shroom and Lake? This is his private mental ritual at the start of group meals that he does in lieu of prayers. Another ritual: Never cross a threshold with your left foot leading. And others: Fasten body armor from the bottom up, do not start sentences with the letter W, don’t masturbate within six hours of a mission. Yet he’d adhered to all such tics and talismans on the day of the canal so maybe it doesn’t matter a damn that they stayed at the W Hotel in Dallas last night, or that said hotel featured an upscale club called, how fucking weird, the Ghost Bar. So many omens, so many signs and portents to read. It’s the randomness that makes your head this way, living the Russian-roulette lifestyle every minute of the day. Mortars falling out of the sky, random. Rockets, lob bombs, IEDs, all random. Once on OP Billy was pulling night watch and felt a sick little pop just off the bridge of his nose, which was, he realized as he tumbled backward, the snap of a bullet breaking the sound barrier as it passed. Inches. Not even that. Fractions, atoms, and it was all this random, whether you stopped at the piss tube this minute or the next, or skipped seconds at chow, or were curled to the left in your bunk instead of the right, or where you lined up in column, that was a big one. At first they were hitting the lead Humvee, then they switched to number two, then it was a toss-up between two, three, and four, then they went back to one, and don’t even talk about the never-ending mindfuck debate as to your odds in any particular seat inside the vehicle, on any given day it could be anything, anywhere. “You can dodge an RPG,” he said to a reporter a couple of days ago. He hadn’t meant to reveal such a fraught and intimate fact, and felt cheap, as if he’d divulged a shameful family secret, but there it was, you can dodge an RPG, that damn crazy thing lamely fluttering at you, spitting and smoking like a cheap Mexican firework, tttttthhhhhhhpppppfffffftttt-FOOOM ! What he’d meant to say, been trying to say, is that it’s not a lie, sometimes it really happens in slow-motion time, his ultimate point being just how strange and surreal your own life can be. Lately he thinks he could have tapped it as it flew by, sent it spinning off to nowhere like thumping a balloon instead of merely dodging as it sputtered past on its way to making such a christfuck mess back there. What’s happening now isn’t nearly as real as that, eating this meal, holding this fork, lifting this glass, the realest things in the world these days are the things in his head. Lake, for instance. “Lake,” that’s all it takes to get this bleak little movie going, a night shot of, say, the berm road in pale moonlight, crickets cheeping, dogs barking faintly in the distance, the slow suck and gurgle of the nearby canal. So there is the berm road on a quiet night, then a slow tracking shot that peels off the road and gradually keys on something in the high grass. A leg. Two legs. Lake’s. Peaceful. Those crickets, the soft moonlight, the purring canal. As if waking from a long sleep, the legs begin to stir. Tentative at first, they move with a childlike air of sweetly baffled innocence, but eventually they rise, shake themselves off, and set off in search of the rest of Lake. It could be a Disney movie about a couple of household pets

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