they broke up. She shook away those thoughts and started making her way through the massive trees. She stopped at the sound of an unusual noise, a furious hammering. Then she saw a woodpecker up on the right. Maybe he has a part in her music, she thought. Anna has said her mother doesnât shy away from using any kind of noise. His input might very well be crucial to the percussion section.
She left the woodpecker and walked past an old run-down vegetable garden that had clearly not been tended for many years. What do I know about her? Linda thought. And what am I doing here? She stopped and listened. At that particular moment, in the shade of the high trees, she was no longer worried about Anna. There was surely a reasonable explanation for why she was staying away. Linda turned and started walking back to the car.
The woodpecker had flown away. Everything changes, she thought. People and woodpeckers, my dreams and all that time I thought I had but that keeps slipping out of my fingers despite my best attempts to keep it dammed up. She pulled her invisible reins and came to a halt. Why was she walking away? Now that she had come this far in Annaâs car, the least she could do was say hello to Henrietta. Without betraying her anxieties, without making pressing inquiries about Annaâs whereabouts. She might just be in Lund, and I donât have her number there. Iâll ask Henrietta for it.
She followed the path through the trees again and finally came to a half-timbered, whitewashed house covered in wild roses. A cat lay on the stone steps and studied her movements warily as Linda approached. A window was open and just as she bent down to stroke the cat, she heard noises from inside. Henriettaâs music, she thought.
Then she stood up and caught her breath.
What she had heard wasnât music. It was the sound of a woman sobbing.
9
Somewhere inside the house a dog started to bark. Linda felt as though she had been caught in the act and quickly rang the doorbell. It took a while for Henrietta to open the door. When she did she was restraining an angry gray dog by the collar.
âShe wonât bite,â Henrietta said. âCome in.â
Linda never felt completely at ease in the presence of strange dogs and so she hesitated slightly before crossing the threshold. As soon as she did so the dog relaxed, as if Linda had crossed over into a no-barking zone. Henrietta let go of the dog. Linda hadnât remembered Henrietta so thin and frail. What was it Anna had said about her? That she wasnât even fifty years old. It was true that her face looked young, but her body looked much older even than fifty. The dog, Pathos, sniffed Lindaâs legs, then retreated to her basket and lay down.
Linda thought about the sobbing that she had heard through the window. There were no traces of tears on Henriettaâs face. Linda looked past her into the rest of the house, but there was no sign of anyone else. Henrietta caught her gaze.
âAre you looking for Anna?â
âNo.â
Henrietta burst out laughing.
âWell, Iâm stumped. First you call and then you drop by for a visit. Whatâs happened? Is Anna still missing?â
Linda was taken aback by Henriettaâs directness, but welcomed it.
âYes.â
Henrietta shrugged, then directed Linda into the big roomâthe result of many walls being removedâthat served as both living room and studio.
âMy guess is that Anna must be in Lund. She holes up there from time to time. The theoretical component of her studies is apparently very demanding, and Anna is no theoretician. I donât know who she takes after. Not me, not her father. Herself.â
âDo you have a phone number for her in Lund?â
âNo, Iâm not even sure she has a phone there. She rents a room in a house and doesnât like to give out the address.â
âIsnât that a bit odd?â
âWhy? Anna is
Anya Richards
Jeremy Bates
Brian Meehl
Captain W E Johns
Stephanie Bond
Honey Palomino
Shawn E. Crapo
Cherrie Mack
Deborah Bladon
Linda Castillo