Aunt Dimity and the Duke
in teal, with long sleeves and a cowl neck. As she laid it out on the bed, Mattie turned the hem up to examine the stitching.
    “Quality fabric, this,” she murmured, and Emma, hoping to put the girl at ease, asked if she was interested in clothing.
    “I love designing things,” Mattie replied. “When I found out I was coming here to work with Nanny Cole, I made this.” With quiet pride, she raised a hand to the ribbons of her extraordinary cap.
    “It’s very becoming,” Emma said diplomatically. “It must be exciting for you to have Ashers staying at Penford Hall.”
    Mattie’s face lit up. “Oh, yes, miss. Have you seen her? Isn’t she lovely?” Her pretty smile dimmed for a moment as she added confidentially, “Mind you, Granddad and the others don’t care for her. Well, she’s always going on about that old business—”
    “What old business is that?” Emma asked, walking over to warm her hands at the fire.
    Mattie’s eyes shifted to the hall door. “That awful singer and his band,” she replied shortly. “No one wants to hear about him anymore, not after all the trouble he caused.” The girl gathered up Emma’s corduroy skirt and moved to the door, where she paused, with one hand on the porcelain knob. “I don’t mind so much. Ashers isn’t like you and me, miss. She’s got what you’d call an artistic temperament. Besides, she’s promised to have a look at my sketches.” Mattie’s radiant smile returned. “Can you imagine, miss? It’s a dream come—” Mattie jumped guiltily as a knock sounded at the door.
    “Mattie? Is that you?” called a woman’s voice. “Be a dear and open up, will you? My hands are full.”
    After smoothing her apron and straightening her cap, Mattie opened the door to a dark-haired woman whose arms were wrapped awkwardly around what appeared to be a portable drafting table. A T square and a clear plastic box filled with drawing supplies were propped precariously under her chin.
    “Give us a hand, Mattie,” the raven-haired woman managed. She was in her late twenties, fine-boned and fair-skinned, wearing a hand-knit crewneck sweater over a well-cut pair of pleated wool trousers. When she and Mattie had finished setting up the table, she sent Mattie on her way, then turned to regard Emma with a pleasant, level-headed gaze. “The drafting table’s just for midnight insights,” she explained. “For the real work, you’ll have the library and whichever drawing room suits you.” She paused before adding carefully, “I do hope Mattie hasn’t been boring you about our visiting celebrity. Did I hear something about an artistic temperament?”
    “A word or two,” Emma admitted.
    “Well, Susannah does have a temperament, but I’m not sure I’d describe it as artistic. And then there’s Syd.”
    “Syd?” Emma asked.
    “Syd Bishop, Susannah’s manager. You’ll meet him at supper. He’s an American, too, from Brooklyn, and he’s ... unique. At least, one hopes he is.” Extending her hand, the woman crossed over to Emma. “Hello. I’m Kate Cole, Grayson’s housekeeper. Sorry I couldn’t come down to greet you earlier, but Mattie and I were up here, getting your room ready. Is it all right?”
    “It’s great, but ...” Emma glanced at the drafting table, then plunged ahead, eager to unburden herself. “But I’m not sure I should be in it.” She gestured toward the armchairs. “Can we talk for a minute, Kate? I’m afraid there’s been some sort of a mix-up.”
    Kate sighed. “There usually is, when Grayson gets one of his brilliant ideas.” As they settled into the overstuffed chairs, she went on sympathetically, “I imagine Grayson’s rushed you off your feet without bothering to mention silly things like salaries and contracts and—”
    “It’s not that,” Emma said hastily. “I’d work on the chapel garden for free, if I thought I could do the job, but, frankly, I don’t think I can. I’m not a landscape designer, Kate.

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