for Hornchurch Towers was suspended between two steel cables; the top cable was level with the roof, bolted into the brickwork. Alex ran over to it. Could he stand on the lower cable and hold onto the higher one? It would be like a swing bridge in the jungle. He could slowly inch his way across to the other side and safety. But the cables were too far apart—and the material was flapping in the wind. It would knock him off before he was even halfway.
Could he somehow crawl across on his hands and knees? No. The cable was about two centimetres thick. It wasn’t wide enough to support him. He would lose his balance and fall. That was certain. So how? The answer came to him in an instant. Everything he needed was there in front of him. But it only worked when he put it all together. Could he do it? Another window shattered. Behind him, the exit had disappeared in a whirlwind of flames and smoke. He was standing on a giant hot plate and it was becoming more unbearable with every passing second. Alex could see the fire engines, the size of toys, speeding along about half a mile away. He had to try. There was no other way.
He snatched up one of the lengths of plastic piping, weighing it in his hands. It was about six metres long and light enough for him to carry without feeling any strain. He had to make it heavier. Moving more quickly, he examined the steel buckets. They were half full of hardened cement, and weighed about the same. Somehow he had to attach them to the piping. But there was no rope. He choked and wiped sweat and tears from his eyes. What could he use? Then he looked down and saw the bandages flapping around his chest. He grabbed an end and began to tear them off. Sixty seconds later he was ready. It was Ian Rider he had to thank, of course. A visit to a circus in Vienna six years ago when Alex was only eight. It had been his birthday. And he still remembered his favourite act. The tightrope walkers.
“Funambulism,” Ian Rider said.
“What’s that?”
“It’s Latin, Alex. Funis means rope. And ambulare is to walk. Funambulism is the art of tightrope walking.”
“Is it difficult?”
“Well, it’s a lot easier than it looks. Not many people realize it, but there’s a trick involved…”
Alex lifted the plastic pole, the middle pressed against his chest, about three metres stretching out each side. There was a heavy steel bucket attached to each end, tied in place with a torn bandage. Every second he waited he could feel the heat increasing. His soles were already blistering and he knew he couldn’t wait any more. He walked to the edge of the roof. The metal cable running above the advertisement stretched out into the distance. Suddenly the other tower block seemed a very long way away. He tried not to look down. He knew that would make it impossible for him even to begin.
This was how it was meant to work. This was what Ian Rider had explained.
The wire acts as an axis. If you try to walk across the wire, you will fall the moment that your centre of mass is not directly above it. One wobble and gravity will do the rest.
But a long pole increases what is called the rotational inertia of the tightrope artist. It makes it more difficult to fall. And if you add enough weight to each end, you will actually shift your centre of gravity below the wire. This was what Alex had done with the two buckets. Provided he didn’t drop the pole, he would find it almost impossible to lose his balance. He had seen toys that worked on the same principle. It should be easy.
At least, that was the theory. Alex took a step. He had one foot on the very edge of the brickwork and one foot on the metal cable. All he had to do was lean forward, transferring his weight from one foot to the other, and he would be walking the tightrope. If the laws of physics worked, he would make it across. If they didn’t, he would die. It was as simple as that.
He took a deep breath and launched himself off the building.
He could
Jade Lee
Helena Hunting
Sophia Johnson
Adam LeBor
Kate Avery Ellison
Keeley Bates
Melody Johnson
Elizabeth Musser
Lauren Groff
Colin Evans