small Vuillardâs on either side of the fireplace. Over the gray and white striped sofa opposite Ned had hung a Bonnard, the Mediterranean very blue seen over a terrace and the tops of trees. He never tired of looking at it. Anna and he had agreed from the start that this was to be their own atmosphere, not that of his motherâs house, dark and cluttered with objets dâart and eighteenth-century English furniture, nor that of her motherâs, for that matter, inhabited by heavy old Swedish furniture with some Italian pieces mixed in. How he had admired Annaâs forthright refusal of various things his mother wanted to bestow! âIt doesnât feel like me,â she had said more than once. âItâs too grand, Mrs. Fraser.â
And to Ned she had apologized, âBut we canât live her life, Ned. Even if she is hurt. I canât help that!â
âYouâre so fierce about it.â
âIâm fierce because itâs so hard to be definite and not give in, canât you see?â
At that time everything that now irritated Ned had seemed rather wonderful, including Annaâs blunt honesty.
Fonzi interrupted these thoughts by barking excitedly. How did he know? For it was some minutes before he heard Annaâs key in the lock. She came in, flushed, her arms filled with roses, and went right past Ned to the kitchen to put them in water. Ned picked up three red ones that had fallen and followed her in a strange silence, for Anna had not uttered a word and neither had he.
âHere, you dropped these ⦠some fellowâs heartâs blood, no doubt!â Ned laid them on the counter on top of the others.
âIâve got to change first.â He helped her off with her coat. âHang it up, will you?â
And she left him there, his arms filled with purple velvet and sable, stroking the fur absent-mindedly. Then he went to the hall closet and hung the coat up. Impossible to tell yet what her mood might be. But his own ancient Burberry hanging beside her coat gave him an idea. He slipped it on, took Fonziâs leash, and as the excited barks rang out, knocked on the bedroom door, âIâm taking Fonzi for a walk while you change, Anna.â
âAll right,â her voice sounded quite cheerful. âThatâs a good idea.â
When he got back a half-hour later, Anna was waiting, stretched out on the sofa in a dressing gown. Fonzi ran to her, his tail nearly wagging itself off and she sat up and took him onto her lap. âOh my Fonzi ⦠I thought youâd never come back. Iâm starving, Ned.â
âWell, letâs eat. Everythingâs ready, as you see.â
âKind of you,â she said, taking her place and snatching a piece of celery, devouring it, entirely absorbed in crunching it up.
âWell,â Ned asked, âhow did it go?â
âYou donât really want to know, do you?â
âAs you please.â
For a second she met his eyes and wondered how to stop the spiral of irritation which they both knew was already starting to build up.
âI did well, Ned. I think I did, although that maddening man changed the tempo in the Abschied ⦠slowed it down and me down, so twice I was nearly out of breath. I got the silence, though, at the end. There must have been thirty seconds of silence before the applause.â
âBravo!â
âIf you could only say that with some warmth!â The letdown from the heat of the concert hall, the standing ovation, the whole atmosphere she had come from, was impossible to convey to this man, her husband, who could say bravo in the tone one might use to tell a dog to lie down.
âYou know I canât. I canât shout and wave my arms sitting opposite you at a table. What do you expect?â
This Anna chose to ignore. She was eating her cold chicken with gusto.
âYou are hungry.â
âIâve been running a marathon â¦
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