Angels of Music

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Authors: Kim Newman
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left the Phantom bereft behind mask and mirror. He steeled his heart when selecting those who followed her. His first trio were singers, but the next line-up included a dancer. Then, Erik considered the dramatic arts – a veil will be drawn over the sorry debut and finale of Sybil Vane – before looking to other disciplines. Some specialists were engaged briefly, for a specific performance; others proved versatile enough to be held over for lengthy runs.
    At the time of
l’affaire du vampire
, the Angels of Music were La Marmoset, Sophy and Unorna. On a variety bill, they could pass for an actress, a knife-thrower and a conjurer.
    La Marmoset was the finest detective of either sex in Paris, which – whatever claims a patriotic English press might make concerning a certain resident of Baker Street – was to say the world. Once an independent investigator, often consulted by the Sûreté and the Deuxième Bureau, her agency was dissolved on the occasion of her marriage to one Mr Calhoun, a wealthy American whose current whereabouts were not known. Their union, evidently, had not been happy. The O.G.A. counted itself fortunate to have a Queen of Detectives on its lists. Other employers would scarcely have been as understanding of her habit of going disguised at all times. Fewer men had seen her true face than Erik’s. She owned up to many names and identities, though it seemed likely she was really Camille Bienville… or perhaps Tampa Morel… or any one of a dozen other young women with convincing documents, childhood memories, elderly relatives who would verify their identities on stacks of Bibles, and press cuttings supportive of whatever pasts they claimed.
    Sophy Kratides was first to point out that La Marmoset’s London rival might be all well and good should you need one variety of cigar ash distinguished from another but was of singularly little practical use in more pressing matters. Coming to London as a naïve Greek lass, she had been seduced by a scoundrel, Harold Latimer, who imprisoned her in the household of a loathsome, tittering fellow named Wilson Kemp. The rogues starved and tortured Sophy’s brother, to make him sign over family money due to her. The Great Detective Sherlock Holmes amused himself by picking at threads dropped by a Greek interpreter and arrived at the scene of the abduction too late to prevent the murder of Paul Kratides. Furthermore, Mr Holmes, his reputedly cleverer brother and the dogged bobbies of Scotland Yard didn’t trouble to prevent the culprits leaving the country, spiriting Sophy along with them.
    The impotence of such vaunted upholders of the law inspired her to a harsh assessment of herself. She detested being bundled up like a parcel and written off as a fainting damsel in distress. So, she made her first venture into extrajudicial execution, arranging the scene so the official verdict was that Latimer and Kemp had quarrelled and stabbed each other to death. Discovering unexpected talent and an inner reserve of Greek fire, she turned professional and rose to the first rank of a lucrative trade newly open to women in this changing century – assassination.
    Unorna, the so-called Witch of Prague, bore the stigmata of
heterochromia iridis
. Her eyes were different colours – one a clear cold grey, the other a deep, warm brown so dark as to seem almost black. Born on the 29th of February in a bissextile year, she had only just passed her sixth birthday but was a grown woman. The girl with the strange eyes had made a profound study of the occult. Her home city was the site of the magical feats of Rabbi Loew, Johannes Kepler, Scapinelli and Dee. In Prague, the golem was vivified, the Voynich Manuscript decoded and the Philosopher’s Stone hidden. Raised in the alchemical tradition, Unorna was apprenticed to the dwarf sorcerer Keyork Arabian. Latterly, she roamed the world, adding to her store of arcane knowledge. She learned the power to cloud men’s minds in the mountain

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