Read Online An Unfinished Score by Elise Blackwell - Free Book Online Page B

rare moment: Ben and Petra fully at ease with each other.
    “Who’s winning?” Adele signs.
    “Suzanne’s team,” Petra answers, grinning her support for the city where they met.
    Petra pushes the popcorn toward Ben and pats the open cushion next to her. Adele fits herself onto the sofa, leaning into her mother, no longer Suzanne’s ward.
    With popcorn in her mouth and her eyes on the television, Petra says, “Oh, did you hear about that Wikipedia thing with Alex Elling?”
    Suzanne, who was poised to leave the room, settles her weight evenly across both feet, holding still, swallowing away the catch in her throat.
    “A bunch of his obituaries had this sappy line about music being a healing force, right?”
    “I hate that kind of thinking,” Ben says, his eyes also on the baseball. “Music is notes on paper, value-neutral.”
    “Yeah, yeah,” says Petra, “and apparently the dead guy agreed with you. Turns out two Canadian journalists were proving a point. They were waiting for someone to die who was famous enough to have obituaries written but not superfamous. When Elling died, they planted that line in the Wikipedia entry on purpose because they thought journalists would go for the schmaltz and they wanted to see how many would pick it up. Trying to prove a point about sloppy reporting, I guess. Turned up in something like ten obits. Brilliant.”
    “That’s a pretty mean thing to do.” Suzanne’s voice sounds weak, but at least it does not quaver.
    “Journalists should know better, right? Check their facts.”
    “I mean a mean thing to do to Alex Elling.”
    “He’s dead, what the hell. I know you kind of liked him, but he was famously a jerk, right? I think it’s funny that someone put feel-good words in his mouth.”
    Suzanne walks to the bathroom to shower away the city and to be alone, noting that she wasn’t interested in her favorite Phillies even before Petra told her about the false line in Alex’s obituaries. Things that mattered last week no longer matter, and she does not even know whom her team is playing.
    One of her several fights with Alex was about sports, though only on the surface; it was really an extension of a disagreement about music.
    They only fought in the first year or so and most often in Chicago, in the city where he lived and worked, where his wife lived, where he could never fully relax the way he did when they were together elsewhere. On an early-summer walk along the boulevard that passes the aquarium, Suzanne mentioned Luciano Berio. It had rained earlier, just enough to raise the smell of wet concrete and leave the air humid.
    “He enabled John Cage, so that’s one strike,” Alex said, his voice louder than it had been all day. “Then he wrote a bassoon piece that requires fifteen minutes of circular breathing. That’s strikes two and three. Pretentious. Good music should not try to be physically impossible to play. You know how I feel about virtuosity.”
    At Curtis, Suzanne had had a bassoonist friend who had worked on his circular breathing, his goal to play the Berio piece. It had inspired her to think of her own practice as a form of training, as a physical discipline. Yet insecure about Alex’s greater knowledge and experience, still desperate to please him always, Suzanne changed the subject, suggesting they catch an inning of the Phillies game at a bar, check in on the score.
    “I might watch sports if time were unlimited,” Alex said, not looking at her, “but really it’s just false news—teams up one year or not, and nobody from the city they play in anyway. How many of your Phillies were born in Philadelphia?”
    “ I was born there,” Suzanne answered, her hurt shifting to anger, adding, “It’s not like most people on the Chicago Symphony are from Chicago.”
    He looked down the slope of his nose, eyelids half lowered—his look of disapproval. “Don’t do that.”
    He let her change the subject again, but throughout the afternoon he