Read Online an Episode in the Life of a Landscape Painter by César Aira - Free Book Online Page A
Authors: César Aira
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tradition of "masked men" in the region. In any case, it was a situation in which people kept making peremptory demands for the most incongruous objects without a word of explanation. She sent someone to fetch the mantilla, and while they were waiting, gave them some indication of where the fighting was taking place and how the sides were maneuvering. The idea of going out to paint the action struck her as splendid; she was sure they would capture some interesting images. But they had to remember to take precautions, and not get too close. Were they armed? Both had revolvers. No, there was no need to worry about her; the house was safe. It was not the first time she had been through this exercise and it no longer scared her. They even exchanged jokes; the hardy pioneers made light of the absurdity of the age. Their scale of values accommodated the most outrageous nuisances. For them, the Indians were simply part of reality. So the foreigner wanted to paint them? They could see nothing strange in that.
The mantilla arrived; it was made of fine black lace. Rugendas took it reverently, and the first thing he did was to gauge its transparence, which was, it seemed, to his satisfaction. He took his leave without further ado, promising to return the mantilla intact that evening. By then, said the lady with a heroic laugh, I may be Madame Pehuenche. God forbid! exclaimed Krause, bowing to kiss her outstretched hand.
So they set off. A farmhand held the yard gate open; it would be barred behind them. Rugendas was waving the mantilla like a madman, and he bumped into one of the pillars of the gallery. Up they leapt onto their horses. But Rugendas landed facing backwards, looking at the tail. The animals took off; he covered his face with the mantilla, put his hat on top of it, and knotted it around his neck ... But when he came to look for the reins of course he could not find them. The horse was headless! That was when he realized he was sitting backwards, and turning around was a nightmare circus trick. By the time he had pulled it off (Krause, embarrassed, had gone ahead), they were already out of the yard, and the enormous grilles shut behind them with a clang to which the birds replied.
The beautiful San Rafael morning greeted them with songs of freedom. The sun was rising behind the trees. They rode side by side. Rested and docile, Flash and Dash stepped evenly, their faces inexpressive. Is everything all right? asked Krause. Yes! Are you all right? Yes! And it was true: he looked absolutely fine, with the mantilla covering his face. It hid the damage. Although, of course, that was not why he had chosen to wear it. He had wanted something to filter the light. Direct sunlight tormented his poor addled head and his shattered nervous system. His pinpoint pupils could not contract any further; the drug had deactivated the adaptive reflex and even moderate illumination soon became too much for him. It was as if he had taken another step into the world of his paintings. By virtue of a curious phenomenon of conditioning, Krause kept guessing at the absurd grimaces hidden by the black lace.
The morning was truly glorious, perfect for a raid. There was not a cloud in the sky; the air had a lyrical resonance; birds were combing the trees. The lid had been taken off the world specifically to reveal the conflict, the clash of civilizations, as at the dawn of history. They came to a vast prairie, heard shots in the distance and set off at a gallop.
Krause did not write letters, or if he did, no one bothered to keep them. So his thoughts can only be reconstructed in an indirect or speculative manner. Rugendas remarked repeatedly that he seemed to be preoccupied (describing his own state in the letters, he tended to use Krause as a rhetorical device, a supplementary "color": the feelings attributed to his friend, or, in some instances, invented for him, served to express what tact or shame prevented Rugendas from saying about himself, for
The mantilla arrived; it was made of fine black lace. Rugendas took it reverently, and the first thing he did was to gauge its transparence, which was, it seemed, to his satisfaction. He took his leave without further ado, promising to return the mantilla intact that evening. By then, said the lady with a heroic laugh, I may be Madame Pehuenche. God forbid! exclaimed Krause, bowing to kiss her outstretched hand.
So they set off. A farmhand held the yard gate open; it would be barred behind them. Rugendas was waving the mantilla like a madman, and he bumped into one of the pillars of the gallery. Up they leapt onto their horses. But Rugendas landed facing backwards, looking at the tail. The animals took off; he covered his face with the mantilla, put his hat on top of it, and knotted it around his neck ... But when he came to look for the reins of course he could not find them. The horse was headless! That was when he realized he was sitting backwards, and turning around was a nightmare circus trick. By the time he had pulled it off (Krause, embarrassed, had gone ahead), they were already out of the yard, and the enormous grilles shut behind them with a clang to which the birds replied.
The beautiful San Rafael morning greeted them with songs of freedom. The sun was rising behind the trees. They rode side by side. Rested and docile, Flash and Dash stepped evenly, their faces inexpressive. Is everything all right? asked Krause. Yes! Are you all right? Yes! And it was true: he looked absolutely fine, with the mantilla covering his face. It hid the damage. Although, of course, that was not why he had chosen to wear it. He had wanted something to filter the light. Direct sunlight tormented his poor addled head and his shattered nervous system. His pinpoint pupils could not contract any further; the drug had deactivated the adaptive reflex and even moderate illumination soon became too much for him. It was as if he had taken another step into the world of his paintings. By virtue of a curious phenomenon of conditioning, Krause kept guessing at the absurd grimaces hidden by the black lace.
The morning was truly glorious, perfect for a raid. There was not a cloud in the sky; the air had a lyrical resonance; birds were combing the trees. The lid had been taken off the world specifically to reveal the conflict, the clash of civilizations, as at the dawn of history. They came to a vast prairie, heard shots in the distance and set off at a gallop.
Krause did not write letters, or if he did, no one bothered to keep them. So his thoughts can only be reconstructed in an indirect or speculative manner. Rugendas remarked repeatedly that he seemed to be preoccupied (describing his own state in the letters, he tended to use Krause as a rhetorical device, a supplementary "color": the feelings attributed to his friend, or, in some instances, invented for him, served to express what tact or shame prevented Rugendas from saying about himself, for
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