room, staring out the front window. In all the noise and confusion of his own house, it seems suddenly impossible that across the street Mrs. Fraser has just disposed of her husbandâs ashes. But she did. He was there. He could even say that, in a way, he was part of it.
âFound them!â Adam suddenly calls out. âChristmas oven mitts! I told you they were in here, Aunty.â
âVery good, son. Now take the turkey out before it dries up.â
Adam pulls on the mittsâridiculous, ruffled things with reindeer on themâopens the oven door with a flourish, and slides out the rack on which the turkey pan sits. The bird is greeted with noisy enthusiasm. Adam lifts the pan and stands with it while Aunty Mary clears a patch of counter space and the others shuffle aside. Then, from the archway, Rudy sees Zoë race toward the oven on hands andknees. He guesses what sheâs going to do, but heâs a kitchenâs length away from her. His father is closest.
âDad!â he shouts. âGet Zoë!â
Alec looks down, and as the babyâs arms stretch upward, her eyes fixed on the oven rack, he calls to her.
âZoë! Donât touch!â
Zoëâs hands grasp the rack, and the kitchen is shaken by her scream. She topples over and strikes her head on the linoleum. Rudy winces.
Susie cries, âOh my God!â and shoves past Aunty Mary to get to her wailing daughter. She gathers Zoë in her arms and struggles to open the childâs clenched handsâcalmly at first, but as Zoëâs screams become more and more desperate, she snaps. âDada, what were you thinking? She canât hear! SheâsâOh God, never mind. Mark! Do something, for Godâs sake. Donât just stand there!â
Mark flounders. Aunty says, âButterâ and goes to the fridge.
Rudy is staring at the far kitchen door, through which his father has just disappeared, silently, unnoticed by the others. Startled back by his auntâs suggestion, he calls âNo!â and heads for the sink. But his brother is way ahead of him. Throwing off the reindeer mitts, Adam crouches next to Susie with a bowl of water, into which he plunges the babyâs hands. Zoëâs screams taper off to sobs.
âSomebody get the bag of peas out of the freezer,â Adam says. âSheâs getting a bump on her head.â
Mark gets the peas and drops to his daughterâs level, nudging Adam out of the way. Adam doesnât seem to mind. He offers to search for some first aid spray in the bathroom.
âThanks, Addy,â Susie calls after him. âAnd turn off the damn music, would you? Itâs driving me crazy.â
Rudy steps aside to let his brother pass. Dad, he notices, hasnât reappeared. He knows where he is, of course, and as the commotion in the kitchen dies down he goes there, ambivalently.
From the trophy room, a shaft of lamplight cuts across the dim hallway. The small room is the place that houses Alec Vantwestâs pastâthe cricket trophies and English literature classics from his days at Trinity College Kandy, the old black and white photos taken at Grandpaâs tea estate, even a wooden tea chest, once used to shipfamily belongings from Colombo to Montreal. A puzzling room, Rudy thinks, given his fatherâs aversion to the past, but on the other hand everything in the room is neatly shelved or framed, kept in its place, and itâs possible to imagine that this museum-like containment is a comfort. At the moment, Alec, curator of the trophy roomâs artifacts, is sitting in the armchair next to the tea chest reading table, staring at the wall of photographs.
Rudy raises his hand to the half-open door then lowers it. He knows what will happen if he enters the trophy room with words of consolation. His father will rise from the chair and put a hand on his shoulder. Heâll say, âThank you, son,â all the while
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