Accident
heads in the direction of this bunch of lunatics, dishevelled barefoot girls, boys without coats or ties ...
    The hostility between the civilian population of Cernatu and the group from Satu-Lung was open to the point where Paul, when he went out for his evening walk, if he turned left alongside the city hall, had the feeling of stepping into a conflict zone or an enemy territory. The group had the custom of a tennis hour. Their tennis court became famous in the whole region, as far away as Dârste or Noua. White poles, lime rectangles drawn on the earth, the net stretched taut across the centre, the white fence that surrounded the whole court – they had made it all, bringing some of the pieces from Braşov 6 and improvising others on the spot, to the secret vanity of Satu-Lung, and to the smouldering envy of Cernatu. Paul liked to stop there, in front of the wire fence, and watch the flurry of rackets, the regular knocking of the ball, the white dresses of the female players. One evening a ball lofted too high went over the fence and came to a stop next to him. He picked it up in order to hand it to the young woman player who had come to look for it.
    â€œPossibly that was you, Ann?”
    â€œVery possibly, my dear. I played more than any of them. I played badly – I’d only just learned – but I played a lot.”
    The thought that he had stared at her so many years earlier, before falling in love with her, before he’d even known who she was, the thought that there had once been a moment in which they had
looked each other in the eyes, in which they had perhaps spoken – he to hand her the lost tennis ball, she to thank him – this thought exalted him. How many distances had been traversed between the white-clad tennis player bending towards him for a moment with her racket in hand, on an August evening in 1926, and that familiar, painful Ann!
    He could still see the municipal train that made the regular run to Satu-Lung, its yellow carriages, its outmoded engine, the disproportionately loud shriek of its whistle in the minuscule stations, a train glistening at night when it got delayed in Braşov and he returned home on the last run on the local line ...
    On a night like that, the train had been stopped before Noua by the group from Satu-Lung, who blocked its path, sitting down on the rails and waving their illuminated flashlights, their white jerseys, their scarves ...The passengers were indignant, the on-board staff, their self-respect wounded (“A train stopped like an ordinary wagon!”), threatened legal action and fines, everybody was clamouring at once, but they seemed not to hear any of it, or maybe really didn’t hear. They were coming from Râşnov, one of the more reasonable ones said, they were dead-tired and couldn’t miss the last departure. They invaded the carriages without being aware of the scandal they had caused.
    It was late, the passengers were drowsy, the train was emptying out, with people getting off at Dârste, at Turcheş. The revolt was assuaged ... Beyond Turcheş nothing was heard but the silence of that August night, occasionally broken by the locomotive’s whistle. Then they began singing: a romantic song that was in fashion, and was sung by fiddlers in Braşov, but which now, at that hour of the night, in their youthful voices, took on an unexpected melancholy.
    Paul, remembering that moment, would have liked to silence all the instruments with a single gesture, like that of an orchestra director, leaving only the soloist’s violin audible; he would have liked to be able to suppress in his memory the voices of all of the others in order to preserve Ann’s voice as it would have been on that August night in 1926.
    â€œWhy didn’t I meet you then?” she used to say. “Why did so many years have to pass before I met you? Why didn’t somebody say to
me on that evening: ‘See that young

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