twenty-four hours.â
âYou have a date?â he asks.
âWhy wouldnât I?â
âYou would, Iâm just confused why you would need to lie about maritime knowledge.â
I didnât come to him, of all people, for a lecture on not getting into awkward situations. âWould you like a list of ways you owe me?â
Â
The next day on the ferry to the aquarium Iâm gripped by panic.
âIâm skipping rehearsal without permission, to test practise a date. Iâve lost it.â
âSay âNoâ to Ballet Guilt,â Sammy tries to calm me.
âWendy is a lead role. Itâs a sappy, wimpy lead but itâs a lead. If Iâm not there, Zach will downsize my solos.â
âZach will have so much to worry about, he wonât even notice. And someone will fill in for you.â
I didnât think of that. Tara might be doing the Prix but sheâs still in class. And if anyone is a natural for playing a sappy lead itâs her. What have I done?
At the aquarium I focus on skilling up on marine life. I will dazzle Finn with my knowledge of the lifeforms that inhabit ninety-seven per cent of thehydrosphere. Sammy doesnât think fish facts are good date conversation topics and tries to confiscate my notebook as we go round the tanks.
âIf youâre not going to help, I donât know what youâre doing here,â I say. He claims to have problems that need discussing too. When doesnât he?
âRecent heartbreak, though admittedly I was the dumper. And which international school Iâm going to pick if I win the Prix,â he recites his current issues.
âMy problems are real,â I tell him.
âWhy is it so important that you impress this guy? He should be impressed enough going out with you.â I like the compliment.
âOkay,â says Sammy, âletâs simulate the date.â
We sit down in front of a fish tank. A shark, of which there are 350 species worldwide, swims by ignoring us.
âAfter youâve wowed him with your cuttlefish convo, he sidles closer. Puts his arm around you.â Sammy acts out my date, I feel his arm around me.
âAnd then what? We just sit here. With no apparent purpose.â
âThis is why normal people visit aquariums. To meditate on the wonder of nature.â We sit there, watching marine species drift by like useless facts.
âAm I doing it right?â I ask.
Enough of the date practice. We move on. Who knew there could be so many fish to learn? Itâs easier to help Sammy with his problem â which dance school he should attend if he wins the Prix. We go through Berlin, Beijing, Malmö. Sammy pours out all these facts about the cities. How does he know so much information?
âIâm actually the cliché of a stupid ballerina.â
âNo youâre Abigail Armstrong. You donât care what anyone thinks of you.â
âI care what I think of me,â I admit. âDoing this musical I got this glimpse. Thereâs a whole world that has nothing to do with ballet.â
As we get the ferry back, I look out at all the buildings on the harbour shore. Apartments, houses, offices, all full of people who arenât dancers, who probably have never even been to the ballet. People leading exciting lives, having interesting conversations on different topics. People not obsessed with only one thing. Even the ferry is full of people leading interesting varied lives: ferry captains, stock traders.
âI could be a ruthless stock trader,â I say.
âYou could be anything,â says Sammy.
Â
At the Academy, I go to see Miss Raine in her office. I donât want to play Wendy. âIâm not quitting the Academy. I just donât have time for a lead role right now.â
âWhy not?â she asks.
âI think I just need some space to pursue other interests. I feel like youâre preparing me for a
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