latest municipal wonder. Built four years earlier to a lot of taxpayer squawking, Symphony Hall was beautiful outside but cold and sterile. Inside, though, it was all wood, and the sound quality was lovely. Heâd heard Beethovenâs Fifth Symphony there the previous month, and it had been a concert heâd remember for a long time. Spadafini had been very impressive.
Now Prattâs head felt as if it was stuffed with sawdust. Great way to begin an investigation.
Ellis was a good-looking lad. Tall and still lanky, a lot like Pratt when heâd been that age. Thirty years later, heâd lost most of his hair and put on a good fifty pounds. At least he didnât need glassesâyet.
Making conversation, he asked, âHow long have you been in Homicide?
âTwo weeks, sir,â Ellis answered.
âSeen any action yet?â
âOnly that domestic murder last Friday. Terrible situation. Mostly Iâve been pushing papers.â
âSo I heard.â
âI wanted to say that itâs an honor to be working with you.â
âI donât need buttering up, Ellis. Youâre here to make my life easier. Keep your eyes and ears open and try to stay out of my way.â
âMy pleasure, sir.â
âAnd another thing: stop calling me âsir.â Pratt will do.â
The coast was still clear as they pulled up at the backstage entrance. Surprisingly, the media hadnât arrived yet. A beat cop Pratt recognized was standing next to the door, looking bored.
âGlad to have you aboard, sir,â he said. âItâs a madhouse in there, I hear.â
âItâs going to be a madhouse out here too. Donât let anyone in, and donât tell them anything.â
âRight.â
Later on Pratt was sorry that he had just rushed by. He might have retired on the spot if heâd known about the unholy mess he was walking into.
At the vacant security desk just inside, a sergeant Pratt knew was waiting. Next to him stood a man wearing a suit and tie, even though it was Saturday morning. He looked to be in his late thirties, medium height, slightly overweight.
âGlad they sent you, Pratt,â the sergeant said as they shook hands. âThis is Michael Browne. Heâs the symphonyâs manager. Heâs the one who called the murder in.â
Pratt knew Browne had to be competent to have this sort of job. At the moment, he looked pretty rattled and on edge.
More handshaking as Pratt introduced Ellis.
âThe situation is a real mess,â the sergeant added.
âBlood?â the detective asked. He hated the bloody ones.
âNo, no. Itâs the suspect list.â
âWhat about it?â
âThe entire orchestra has confessed.â
Titles in the Series
And Everything Nice
Kim Moritsugu
Assault on Juno
Mark Zuehlke
The Barrio Kings
William Kowalski
Best Girl
Sylvia Warsh
The Fall Guy
Barbara Fradkin
Fit to Kill
James Heneghan
Generation Us
Andrew Weaver
Love You to Death
Gail Bowen
The Middle Ground
Zoe Whittall
The Next Sure Thing
Richard Wagamese
One Fine Day Youâre Gonna Die
Gail Bowen
Orchestrated Murder
Rick Blechta
Ortona Street Fight
Mark Zuehlke
The Second Wife
Brenda Chapman
The Shadow Killer
Gail Bowen
Something Noble
William Kowalski
The Spider Bites
Medora Sale
That Dog Wonât Hunt
Lou Allin
The Way It Works
William Kowalski
When I Kill You
Michelle Wan
A Winter Kill
Vicki Delany
Eden Butler
Tamara Ternie
Celia Kyle, Erin Tate
Jianne Carlo
John Glatt
Thomas Wharton
Molly Harper
Aileen Harkwood
Dean Koontz
LISA CHILDS