A Scots Quair

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stiter into her clothes and set out across the fields to the station and the College train for Duncairn.
    For to the College she’d been sent and found it strange enough after the high classes in Echt, a little ugly place it was below Duncairn Station, ugly as sin and nearly as proud, said the Chris that was Murdoch, Chris of the land. Inside the main building of it was carved the head of a beast like a calf with colic, but they swore the creature was a wolf on a shield, whatever the brute might be doing there.
    Every week or so the drawing master, old Mr Kinloch, marched out this class or that to the playground in front of the wolf-beast; and down they’d all get on the chairs they’d brought and try and draw the beast. Right fond of the gentry was Kinloch, if you wore a fine frock and your hair was well brushed and your father well to the fore he’d sit beside you and stroke your arm and speak in a slow sing-song that made everybody laugh behind his back. Noooooooooooo, that’s not quate might, he would flute, More like the head of one of Chrissie’s faaaaaaaather’s pigs than a heraaaaaaaaaaldic ani mal, I’m afraaaaaaaaaaaaaaaid. So he loved the gentry, did Mr Kinloch, and God knows he was no exception among the masters there. For the most of them were sons and daughters of poor bit crofters and fishers themselves, up with the gentry they felt safe and unfrightened, far from that woesome pit of brose and bree and sheetless beds in which they had been reared. So right condescending they were with Chris, daughter of a farmer of no account, not that she cared, she was douce and sensible she told herself. And hadn’t father said that in the sight of God an honest man was as good as any school-teacher and generally a damned sight better?
    But it vexed you a bit all the same that a creature like the Fordyce girl should be cuddled by Mr Kinloch when she’d aface like a broken brose-cap and a voice like a nail on a slate. And but little cuddling her drawing warranted, her father’s silver had more to do with it, not that Chris herself could draw like an artist, Latin and French and Greek and history were the things in which she shone. And the English master set their class an essay on Deaths of the Great and her essay was so good that he was fored to read it aloud to all the class, and the Fordyce quean had snickered and sniffed, so mad she was with jealousy.
    Mr Murgetson was the English master there, not that he was English himself, he came from Argyll and spoke with a funny whine, the Highland whine, and the boys swore he had hair growing up between his toes like a Highland cow, and when they’d see him coming down a corridor they’d push their heads round a corner and cry Moo! like a lot of cattle. He’d fly in an awful rage at that, and once when they’d done it he came into the class where Chris was waiting her lesson and he stood and swore, right out and horrible, and gripped a black ruler in his hands and glared round as if he meant to murder a body. And maybe he would if the French teacher, her that was bonny and brave, hadn’t come simpering into the room, and then he lowered the ruler and grunted and curled up his lip and said Eh? Canaille? and the French teacher she simpered some more and said May swee.
    So that was the college place at Duncairn, two Chrisses went there each morning, and one was right douce and studious and the other sat back and laughed a canny laugh at the antics of the teachers and minded Blawearie brae and the champ of horses and the smell of dung and her father’s brown, grained hands till she was sick to be home again. But she made friends with young Marget Strachan, Chae Strachan’s daughter, she was slim and sweet and fair, fine to know, though she spoke about things that seemed awful at first and then weren’t awful at all; and you wanted to hear more and Marget would laugh and say it was Chae that had told her. Always

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