it. I glanced at Hugh, who was looking out the French doors, and I felt as if he had his hands against my shoulders and was shoving me along a road I didnât want to travel.
âHugh, why donât you go and get some iced tea and put it on a tray and bring it out to the terrace. We can sit and chat a bit. By the way, your new passport arrived today. The picture of you is quite comical. Youâll like it.â She smiled at Hughâs back, showing teeth that were faintly yellow like her dress. I was glad there was a touch of rust on her.
Hugh turned and looked at her, but he didnât speak. They stood like people acting a charade. I couldnât guess the words. Then someone else came in. He was a tall, thin man, wearing a suit that looked as if it had just come from the cleanerâs. He had a thin mustache that grew down around his mouth like parentheses.
âThis is my husband, Jeremy Howarth,â Hughâs mother said. âJeremy, this is Victoria. Hugh? What is her last name?â
âFinch,â Hugh answered, hardly opening his mouth.
âWhat a pretty name,â remarked Mrs. Howarth, looking at the Dutch clock on the mantel, then at her wristwatch.
âWe donât have time for tea, Mother,â Hugh said. âVictoria has to go home and practice her oboe.â
Jeremy let out a strange giggle. Mrs. Howarth smiled at me and shook her head. âMy goodness! A playwright and an oboist! What an accomplished child! Isnât she, Jeremy?â
âShe doesnât look like a child to me,â Jeremy muttered. âShe looks like an engineer.â
Mrs. Howarth laughed gently, and turned to me, but before she could speak, Hugh grabbed my arm and yanked me out of the room. As we passed Jeremy, I realized he was terribly drunk and that he was clutching the back of a chair to keep himself upright.
I found myself in another large beautiful room. This one was lined with bookcases. A long desk sat in the middle of the floor, and there was nothing on it until I left my fingerprints in the wax.
âOboe!â I exclaimed.
Hugh put a finger to his lips. âSssh!â he hissed. Then he pointed silently to the painting of a small child which hung on the wall. I walked over to it while he watched me.
âThatâs me,â he said softly. âI was six.â
I put my hand toward the smiling face of little Hugh.
âDonât touch,â he said.
âI never knew anyone who had a painting of himself,â I said.
âJeremy plans to have it bleached, scraped, and cut for a vest,â he said. I started to smile, but seeing the expression on Hughâs face, I stopped.
We went out into the garden then, and I followed Hugh down the slope to the wood. He gestured toward it. âJeremy wants to sell off our wood to a developer,â he said. âItâs the last piece of land we own around here that hasnât had something ugly done to it.â
I glanced back at the house. It looked so empty!
âWhat does an engineer look like?â I asked.
Hugh frowned but didnât answer my question. âJeremy is drunk by noon every day,â he said. âAnd his brain, if he has one, is rotted out.â He told me that his mother had married Howarth eight months after his fatherâs fatal accident, and that he and she had had a terrible fight about it, so terrible he had run away to Boston and gone to a club his father had belonged to, where they let him stay a week. Later, he found out a club official had telephoned his mother as soon as heâd showed up.
âI slept most of the time,â he said. âI ordered my meals up to the room so I wouldnât have to see anyone. Then she came and got me. I had to come home. The thing to do is to get through this timeâget through it until they canât tell you what to do any more.â
I heard a thrush sing. A slight breeze rose and died almost at once, and the
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