some thinking. He couldnât have been more wrong â with just one statement he was wrong twice. All a man needs to do to see the world or to do some thinking is to take a walk around the corner. If you took a slow walk around the town of Dundalk youâd meet all of existence. They think they can teach anything in colleges; they think they can bring a man to college and send him home a poet. How mad is that?â
We rest for a time and watch as slow clouds drift across the sky, and the light travels along the mountains.
âI donât think college is for me,â I continue. âMany enter as lambs and leave as sheep. I couldnât do that.â
I see that Cora watches me, and I know thinking is going on in that pretty head of hers.
âSo what will you do next year, after school?â I ask, rising again and sitting beside Cora on the coat.
âCollege. Belfast or Dublin. Iâm not sure which yet.â
âDoes it matter?â
âNot really. I think Iâd prefer Dublin. And I could stay with Aisling; sheâs already in college there. Iâd love to live a while with Aisling.â
âWhat will you study?â
âIrish.â
âIrish? Why Irish?â
âI love it. I want to teach. Donât you like Irish, Johnny?â
âNot really. I donât know. I never really bothered, I suppose. I had that madman Hogan for a teacher, and it all left a bad taste.â
âWell, weâll have to fix that.â
âOkay.â
âLetâs start at the beginning.â
â Bonjour â.
âShut up. Letâs count.â
âOkay.â I grimace in concentration. â Eins . Zwei . Drei .â
âShut up. Repeat after me, Donnelly.â
â A haon .â
â A haon .â
â A dó .â
â A dó .â
â A trà .â
â A trà .â
â A ceathair .â
I reach for her, pulling her to me and taking her down onto the open overcoat. I kiss her mouth, moving my hand to the small of her back, spreading my fingers on the soft wool of her pullover, pressing to her shape. I feel her take my head with both hands, allowing me to hold her tight. I kiss her hard, feeling her slide to me, her body fast to mine.
âThanks,â I whisper. âThat was much tastier, I must admit.â
âI should hope so.â
âSo you should, Cora. That fecker Hogan was a dreadful kisser.â
After a while Cora sits up and begins to recite a poem. In our two weeks together I have noticed that she does this kind of thing. And I like it.
I recognise the verse, and repeat a line when she is finished, ââThe silver apples of the moon, the golden apples of the sun.â Thatâs a fine poem, Miss Flannery. A fine poem. I never could figure out what it meant, though.â
âIsnât it a beautiful thing, Johnny? And whatâs beautiful doesnât need figuring out. It just is.â
âYou are right there, Flannery. Well said,â I respond. ââA thing of beauty is a joy forever.ââ
âIs that another Plato quote?â
âNot Plato, no, but another of the great masters: Mary Poppins. Now I have a poem for you. Have you ever heard of the child poet John Francis Donnelly?â
âNope.â
âWell, hear him now, baby. Itâs called âThe Blackbirdâ. Are you ready?â
âReady, steady,â she says. âOff you go.â
Blackbird, Blackbird, cannot you see,
I left the breadcrumbs out for thee.
Blackbird, Blackbird, you are too slow,
Now they got eaten by the crow.
I deliver the lines confidently, and when I finish I turn to her. âThere you are, Flannery,â I say. âThatâll give your fella Yeats a run for his money.â
Cora shakes her head and laughs. âWhat is that about?â
âThat, Cora, is about the whole damn thing.â
We stretch out on the Dunn & Co
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