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hunger artist of all time, which he probably was already, but also so that he could surpass himself in some unimaginable way, for he felt there were no limits to his capacity for fasting. Why did this crowd, which pretended to admire him so much, have so little patience with him? If he kept going and kept fasting longer, why would they not tolerate it? Then, too, he was tired and felt good sitting in the straw. Now he was supposed to stand up straight and tall and go to eat, something which, when he just imagined it, made him feel nauseous right away. With great difficulty he repressed mentioning this only out of consideration for the women. And he looked up into the eyes of these women, apparently so friendly but in reality so cruel, and shook his excessively heavy head on his feeble neck.
    But then happened what always happened. The impresario came and in silence -- the music made talking impossible -- raised his arms over the hunger artist, as if inviting heaven to look upon its work here on the straw, this unfortunate martyr, something the hunger artist certainly was, only in a completely different sense, then grabbed the hunger artist around his thin waist, in the process wanting with his exaggerated caution to make people believe that here he had to deal with something fragile, and handed him over -- not without secretly shaking him a little, so that the hunger artist's legs and upper body swung back and forth uncontrollably -- to the women, who had in the meantime turned as pale as death. At this point, the hunger artist endured everything. His head lay on his chest -- it was as if it had inexplicably rolled around and just stopped there -- his body was arched back, his legs, in an impulse of self-preservation, pressed themselves together at the knees, but scraped the ground, as if they were not really on the floor but were looking for the real ground, and the entire weight of his body, admittedly very small, lay against one of the women, who appealed for help with flustered breath, for she had not imagined her post of honour would be like this, and then stretched her neck as far as possible, to keep her face from the least contact with the hunger artist, but then, when she couldn't manage this and her more fortunate companion didn't come to her assistance but trembled and remained content to hold in front of her the hunger artist's hand, that small bundle of knuckles, she broke into tears, to the delighted laughter of the auditorium, and had to be relieved by an attendant who had been standing ready for some time. Then came the meal. The impresario put a little food into mouth of the hunger artist, now half unconscious, as if fainting, and kept up a cheerful patter designed to divert attention away from the hunger artist's condition. Then a toast was proposed to the public, which was supposedly whispered to the impresario by the hunger artist, the orchestra confirmed everything with a great fanfare, people dispersed, and no one had the right to be dissatisfied with the event, no one except the hunger artist -- he was always the only one.
    He lived this way, taking small regular breaks, for many years, apparently in the spotlight, honoured by the world, but for all that his mood was usually gloomy, and it kept growing gloomier all the time, because no one understood how to take him seriously. But how was he to find consolation? What was there left for him to wish for? And if a good-natured man who felt sorry for him ever wanted to explain to him that his sadness probably came from his fasting, then it could happen that the hunger artist responded with an outburst of rage and began to shake the bars like an animal, frightening everyone. But the impresario had a way of punishing moments like this, something he was happy to use. He would make an apology for the hunger artist to the assembled public, conceding that the irritability had been provoked only by his fasting, something quite intelligible to well-fed people and