Is this a lamp?â
âIt looks like a Roman lamp. Itâs probably about two thousand years old, maybe more.â
Ashley hastily replaced it on the shelf and continued to look round the room, pausing before the fireplace. A striking coloured print of an ancient temple carved out of red stone bathed in brilliant sunlight hung over the mantelpiece. â Petra â The Treasury by David Roberts, â he read. âIs that the place in the poem? You know, The rose-red city of Petra, half as old as time? I like the way the sun brings out the colours in the rock.â Jack seemed oddly reluctant to comment. âHaldean?â
âItâs not bad,â he said eventually.
Ashley looked at him in mild surprise. In his experience, Haldean could usually talk the hind leg off a donkey about art. âWhatâs the matter?â
Jack made an obvious effort. âNothing.â He took a deep breath. âItâs a good picture but itâs not the most dramatic angle. If I was painting it, Iâd show how it looks when you first see it. Thereâs a narrow passage through a cleft in the rocks that must run for a mile or more before opening out in front of the building in the picture. Itâs a stunning sight.â
Ashleyâs surprise increased. âHave you been there?â
âI was there in the war,â said Jack. âI was stationed at Ismailia on the Suez Canal. Most people know the poem about the rose-red city,â he said, turning away and idly flicking his finger along the spines of the books, âbut thereâs just about every shade of red except rose. Rose makes it sound pretty. Itâs not. Itâs a harsh, twisted sort of landscape.â
Ashley could virtually hear the full stop at the end of the sentence.
âDâyou know,â continued Jack, âVaughan must have damn nearly everything ever written about the archaeology of Arabia.â He took a book from the shelf. âVaughan wrote this. An account of the excavations in Petra in 1897-98, with some notes on the origins of the Nabateans . Published by Wheeler and Street, 1900. I think Mr Vaughan might be a better archaeologist than Lady Stuckley gave him credit for.â
âPerhaps,â said Ashley. âIâm surprised youâve never mentioned youâve been there.â
âIt was a very brief visit.â Jack replaced the book back on the shelf.
Ashley waited for a moment, shrugged and wandered round the room once more, stopping in front of an unframed, mounted watercolour propped up on a raised reading-stand. It showed an ancient temple, its white stone dazzling in the sun, set against a background of towering red cliffs. On either side of the temple, stretching out in two curved arms, more buildings were carved out of the rock. âIs this Petra?â
Jack picked up the picture and frowned. âI donât think so,â he said after a little while. âI donât recognize it.â
âItâs an original,â said Ashley. âWho painted it?â
Jack read the signature on the bottom. âSomeone signing themselves I.E. Simes, R.A. R.A. means Royal Academy, I suppose.â
The door opened and Vaughan came into the room. He stopped as he saw the painting in Jackâs hands. âGood morning, gentlemen.â
âGood morning, sir,â replied Jack. He replaced the picture on the stand. âWe were trying to place the temple in this picture.â
Vaughan gave a short laugh. âIâd like to know, too. I hope to find out shortly. Iâm sorry to keep you waiting but I was down at the boathouse. Now that springâs well and truly here, I wanted to get a couple of the boats caulked and varnished, but itâs a messy job. I had to change before I came into the house. Do take a seat, gentlemen.â
âThank you, sir,â said Ashley, sitting down.
Vaughan took a silver cigarette box from the mantelpiece,
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