A Falcon Flies

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Authors: Wilbur Smith
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over to get through the low opening.
    Behind her, Mungo St John heard the scrape of wood on wood and dropped silently down the steps to the door of the lazaretto. With a cocked pistol in one hand, he laid his ear to the oak planking to listen for a moment before trying the handle.
    â€˜God’s breath!’ he muttered angrily as he found it locked, and then turned away and raced on bare feet up the companionway to the cabin of his first mate.
    At the first touch on his thickly muscled shoulder, Tippoo was fully awake, his eyes glistening in the gloom like those of a wild animal.
    â€˜Someone has broken into the hold,’ St John hissed at him, and Tippoo reared up out of his bunk, a huge dark figure.
    â€˜We find him,’ he grunted, as he bound the loin cloth around his waist. ‘Then we feed fish with him.’

T he main hold seemed vast as a cathedral. The beam of the lantern could not reach into its deepest recesses, and a great mass of cargo was piled high, in some places as high as the maindeck fifteen feet above her.
    She saw at once that the cargo had been loaded in such a way that it could be unloaded piecemeal, that any single item could be identified and swung up through the hatches without the necessity of unloading the whole. This, of course, must be essential in a ship trading from port to port. She saw also that the goods were carefully packaged and clearly labelled. Flashing the lantern around her she saw that the cases of equipment for their own expedition were packed here, ‘Ballantyne Africa Expedition’ stencilled in black on the raw, white wood.
    She clambered up the rampart of cases and bales and balanced on the peak, turning the lantern upwards towards the square opening of the hatch, trying to see if there was an open grating, and immediately she was frustrated for the white canvas cover had been stretched around the lower surface also. She stood at full stretch to try and touch the hatch, to feel for the shape of a grating under the canvas, but her fingertips were inches short of the hatch and a sudden wild plunge of the ship under her sent her flying backwards into the deep aisle between the piles of cargo. She managed to keep her grip on the lantern, but hot oil from its reservoir splashed over her hand, threatening to blister the skin.
    Once again she crawled up and over the mountains of cargo, searching for the evidence that she hoped not to find. There was no dividing bulkhead in the hold, but the main mast pierced the deck above and came through the hold to rest its foot on the keel, and there were stepped wedges fixed to the thick column of Norwegian pine.
    Perhaps they were there to hold the slave decks. Robyn knelt beside the mast and sighted across the hold to the outward curved side of the ship. In line with the wedges on the mast were heavy wooden ledges, like shallow shelves, and she thought that these might be supports for the outer edges of the slave decks. She guessed that they were between two and a half and three feet apart, which she had read was the average height of the between decks in a slaver.
    She tried to imagine what this hold might look like with those decks in place, tiers of low galleries just high enough for a man to crawl into doubled over. She counted the shelves and there were five of them – five piles of decks, each with its layer of naked black humanity laid out sardine fashion, each one in physical contact with his neighbour on either side, lying there in his own filth and that of the slaves above him which leaked through the seams of the deck. She tried to imagine the heat of the middle passage when the ship lay becalmed in the baking doldrums, she tried to imagine 2,000 of them vomiting and purging with seasickness as the ship reared and plunged in the wild seas where the Mozambique current scoured the Agulhas bank. She tried to imagine an epidemic of cholera or smallpox taking hold of that mass of misery, but her imagination could

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