20th Century Ghosts

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Authors: Joe Hill
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wall. Of course it didn't hit tip-first; that takes practice, which he hadn't had, and coordination, which, speaking honestly, he wasn't ever going to have. It bounced, came flying back at him. He sprang into the air so quickly it was like I was watching his ghost jump out of his body. The knife landed where he had been and clattered away under my bed.
    I yanked Art down off the ceiling. He wrote:

    You were right, that was dumb. I'm a loser—a jerk.
    "No question," I said.
    But he wasn't a loser or a jerk. My dad is a loser. The kids at school were jerks. Art was different. He was all heart. He just wanted to be liked by someone.
    Also, I can say truthfully, he was the most completely harmless person I've ever known. Not only would he not hurt a fly, he couldn't hurt a fly. If he slapped one, and lifted his hand, it would buzz off undisturbed. He was like a holy person in a Bible story, someone who can heal the ripped and infected parts of you with a laying-on of hands. You know how Bible stories go. That kind of person, they're never around long. Losers and jerks put nails in them and watch the air run out.
 
    There was something special about Art, an invisible special something that just made other kids naturally want to kick his ass. He was new at our school. His parents had just moved to town. They were normal, filled with blood not air. The condition Art suffered from is one of these genetic things that plays hopscotch with the generations, like Tay-Sachs (Art told me once that he had had a grand-uncle, also inflatable, who flopped one day into a pile of leaves and burst on the tine of a buried rake). On the first day of classes, Mrs. Gannon made Art stand at the front of the room, and told everyone all about him, while he hung his head out of shyness.
    He was white. Not Caucasian, white, like a marshmallow, or Casper. A seam ran around his head and down his sides. There was a plastic nipple under one arm, where he could be pumped with air.
    Mrs. Gannon told us we had to be extra careful not to run with scissors or pens. A puncture would probably kill him. He couldn't talk; everyone had to try and be sensitive about that. His interests were astronauts, photography, and the novels of Bernard Malamud.
    Before she nudged him towards his seat, she gave his shoulder an encouraging little squeeze and as she pressed her fingers into him, he whistled gently. That was the only way he ever made sound. By flexing his body he could emit little squeaks and whines. When other people squeezed him, he made a soft, musical hoot.
    He bobbed down the room and took an empty seat beside me. Billy Spears, who sat directly behind him, bounced thumbtacks off his head all morning long. The first couple times Art pretended not to notice. Then, when Mrs. Gannon wasn't looking, he wrote Billy a note. It said:

    Please stop!
I don't want to say anything to Mrs. Gannon but it isn't safe to throw thumbtacks at me. I'm not kidding.
    Billy wrote back:

    You make trouble, and there won't be enough of you left to patch a tire. Think about it.
    It didn't get any easier for Art from there. In biology lab, Art was paired with Cassius Delamitri, who was in sixth grade for the second time. Cassius was a fat kid, with a pudgy, sulky face, and a disagreeable film of black hair above his unhappy pucker of a mouth.
    The project was to distill wood, which involved the use of a gas flame—Cassius did the work, while Art watched and wrote notes of encouragement:

    I can't believe you got a D- on this experiment when you did it last year—you totally know how to do this stuff!!
    and

    my parents bought me a lab kit for my birthday. You could come over and we could play mad scientist sometime—want to?
    After three or four notes like that, Cassius had read enough, got it in his head Art was some kind of homosexual ... especially with Art's talk about having him over to play doctor or whatever. When the teacher was distracted helping some other kids, Cassius shoved Art

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