what I was trying to tell you from the start,” he grumbled.
“Uh … Mr. Miyama …?” she ventured. “Excuse me, but I think you have something stuck to the back of your neck.”
“The back of my neck?” he said. He rubbed the area and then stared at the palm of his hand. “I don’t think so.”
“Please just let me have a look,” she said, drawing closer. “Do you mind?”
“Sure, go ahead,” he said, looking puzzled. “What is it?”
“A spot of paint, I think. Bright green.”
“Paint?”
“I’m not really sure. Judging from the color, it has to be paint. Is it all right if I touch you back there? It may come right off.”
“Well, okay,” Miyama said, ducking his head forward, exposing the back of his neck to Aomame. It was bare, thanks to what looked like a recent haircut. Aomame took a deep breath and held it, concentrating her attention on her fingers’ nimble search for the right spot. She pressed a fingertip there as if to mark the place, then closed her eyes, confirming that her touch was not mistaken.
Yes, this is it. I’d like to take more time if possible to make doubly certain, but it’s too late for that now. I’ll just have to do my best with the situation I’ve been given
.
“Sorry, sir, but do you mind holding that position a bit longer? I’ll take a penlight from my bag. The lighting in here is not very good.”
“Why would I have
paint
back there, of all things?”
“I have no idea, sir. I’ll check it right away.”
Keeping her finger pressed against the spot on the man’s neck, Aomame drew a hard plastic case from her bag, opened it, and took out an object wrapped in thin cloth. With a few deft moves she unfolded the cloth, revealing something like a small ice pick about four inches in length with a compact wooden handle. It
looked
like an ice pick, but it was not meant for cracking ice. Aomame had designed and made it herself. The tip was as sharp and pointed as a needle, and it was protected from breakage by a small piece of cork—cork that had been specially processed to make it as soft as cotton. She carefully plucked the cork from the point and slipped it into her pocket. She then held the exposed point against that special spot on Miyama’s neck.
Calm down now, this is it
, Aomame told herself.
I can’t be off by even one-hundredth of an inch. One slip and all my efforts will be wasted. Concentration is the key
.
“How much longer is this going to take?” Miyama protested.
“I’m sorry, sir, I’ll be through in a moment.”
Don’t worry
, she said to him silently,
it’ll all be over before you know it. Wait just a second or two. Then you won’t have to think about a thing. You won’t have to think about the oil refining system or crude oil market trends or quarterly reports to the investors or Bahrain flight reservations or bribes for officials or presents for your mistress. What a strain it must have been for you to keep these things straight in your head all this time! So please, just wait a minute. I’m hard at work here, giving it all the concentration I can muster. Don’t distract me. That’s all I ask
.
Once she had settled on the location and set her mind to the task, Aomame raised her right palm in the air, held her breath, and, after a brief pause, brought it straight down—not too forcefully—against the wooden handle. If she applied too much force, the needle might break under the skin, and leaving the needle tip behind was out of the question. The important thing was to bring the palm down lightly, almost tenderly, at exactly the right angle with exactly the right amount of force, without resisting gravity, straight down, as if the fine point of the needle were being sucked into the spot with the utmost naturalness—deeply, smoothly, and with fatal results. The angle and force—or, rather, the restraint of force—were crucial. As long as she was careful about those details, it was as simple as driving a needle into a
Chloe T Barlow
Stefanie Graham
Mindy L Klasky
Will Peterson
Salvatore Scibona
Alexander Kent
Aer-ki Jyr
David Fuller
Janet Tronstad
James S.A. Corey