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aboard her cable-car. The car was necessarily small; nothing that would attract attention so close to the conclusion of a hunt. Parked on the roof, the vehicle had looked like a tailless helicopter which had partially furled its rotors. But rather than blades, the cable-car’s arms were slender telescopic appendages, each terminating in a hook as viciously curved as a sloth’s foreclaw.
    Khouri had entered the car, and the door had slumped shut, barriering the rain and the low background noise of the city. She had stated her destination, which was the Monument to the Eighty, down in the deep Mulch. The car had paused momentarily, undoubtedly calculating the optimum route based on current traffic conditions and the generally shifting topology of the cableways which would carry it there. The process took a moment because the car’s computer brain was not especially smart.
    Then Khouri had felt the. car’s centre of gravity shift slightly. Through the upper window of the gullwing door, she had seen one of the car’s three arms extend to more than twice its previous length, until the clawed end was able to grasp one of the cables which overran the top of the building. Now one of the other arms found a similar grasping point on an adjacent cable, and with a sudden heave they were, in a manner, airborne. For a moment the car slid down the two cables to which it had attached itself, but after a few seconds the latter of the two cables had diverged too far for the car to reach. Smoothly, it released its grasp, but before it could fall the car’s third arm swooped out and grabbed another handy cable which happened to cross their approximate path. And then they slid for another second or so, and then fell again, and then rose again, and Khouri began to recognise a too-familiar feeling in her gut. What failed to assist matters was that the car’s pendulous progress felt arbitrary, as if it was just making up its trajectory as it proceeded, luckily finding cables when it needed them. To compensate, Khouri ran through breathing exercises, restlessly tightening each finger of her black leather gloves in sequence.
    “I admit,” Case said, “that I haven’t exposed myself to the city’s native fragrances for some time now. But you shouldn’t knock it. The air isn’t quite as filthy as it seems. The purifiers were one of the few things still running after the plague.”
    Now that the cable-car had lofted itself past the huddle of buildings which defined her neighbourhood, a much greater expanse of Chasm City was coming slowly into view. It was strange to think that this twisted forest of malformed structures had once been the most prosperous city in human history; the place from which—for nearly two centuries—a welter of artistic and scientific innovations had sprung. Now even the locals were admitting that the place had seen better days. With little in the way of irony they were calling it the City That Never Wakes Up, because so many thousands of its onetime rich were now frozen in cryocrypts, skipping centuries in the hope that this period was only an aberration in the city’s fortunes.
    Chasm City’s border was the natural crater which hemmed the city, sixty kilometres from edge to edge. Within the crater the city was ring-shaped, encircling the central maw of the chasm itself. The city sheltered under eighteen domes which spanned the crater wall and reached inwards to the chasm’s rim. Linked at their edges, supported here and there by reinforcing towers, the domes resembled sagging drapery covering the furniture of the recently deceased. In local parlance it was the Mosquito Net, though there were at least a dozen other names, in as many languages. The domes were vital to the city’s existence. Yellowstone’s atmosphere—a cold, chaotic mix of nitrogen and methane, spiced with long-chain hydrocarbons—would have been instantly deadly. Fortunately the crater sheltered the city from the worst of the winds and