âJacksonâs a good man. I canât believe it of him.â
âBut he is prone to violence,â Kate persisted, sharing a quick glance with Josh, who, in turn, bowed his head and inspected the contents of his cup.
Sir Marcus asked who Jackson was.
âThe gardener,â Kate said in a small voice. âThe man with the silver beard.â
I remembered the gardener from my walk around his domain. He seemed to treat the house and gardens as his own and probably had been working on the estate his whole life. If this Jackson fellow had respected Roderick and Maxâs father, could his feelings for the reckless son inspire him to murder? Noâ¦there had to be more motivation for Kate to mention the gardener than mere dislike. I wondered what it was.
âWell, whoever it is,â Arabella vowed, âheâll be brought to justice and punished.â She dipped her head, the corner of her right eye drifting toward Josh Lissot while I met Angelaâs gaze across the room. She, too, deciphered the âheâ on Bellaâs sharp tongue and likewise cast a judicious brow in Joshâs direction.
Etiquette thus dispensed, Roderick Trevalyan vacated his chair, acknowledged each of us with a curt nod, and left the room.
Kate followed soon afterward, Josh Lissot careful not to shadow her exit.
âCurious fellow,â Sir Marcus murmured, hunting for a divan to sprawl out upon. Snapping out a cigar from the inside of his coat, he freed his feet of his restrictive but highly polished shoes. âYou donât mind, do you, ladies? Iâve no wish to go to sleep yet.â
Arabella cast one longing glance in the direction of her disappearing cousin before running after him. I remarked upon her hasty departure and Angela and Sir Marcus swooped upon it like two crows on a stone fence.
âDid you see her face? Same as when she arrived. She positively hankers after him like a dog,â Angela remarked.
âPerhaps youâre missing something.â Sir Marcus struck hismatch with the edge of his boot. âPerhaps it was Max she was in love with, and not Rod. Or perhaps she was in love with them both. Girl like her canât have had too many offers about. Lives inside a cottage with an old woman, you know. Not much chance for a social life, is it?â
âNo,â agreed Angela.
Keeping my ear open to their musings, I went to peruse the paintings. So many scenes, mostly of the war time. What happened here at home, in the streets of London, the bombings, the nights of terror, what transpired over on the continent, our valiant men and women going off to fight in foreign landsâ¦
I paused before the painting above the mantelpiece. A wintry tree opened the window to the canvas, snow-caked leaves mixed with blood trailing the dirty path to two fallen soldiers hiding beneath a hedge in the distance, one cradling the otherâs head.
I asked Sir Marcus about the painting.
âKnow nothing about it. Bit dark, if you ask me. Should be paintings of flowers and animals, to go with the theme. Iâve told Katie, but you see it was her war time endeavors that launched her, so to speak. Difficult for an artist to break the mold of whatâs required of âem.â
Indeed, but perhaps sheâd done so having begun to work on a new project. Was it a project inspired by Josh Lissot, by any chance?
Sir Marcus had made the connection, too. âPoor pair. Itâs going to be tough for the both of them, for Fernaldâs got his hooks in there.â
âNot on Kate, I hope,â Angela said. â She is innocent, I swear.â
âI tend to agree with you.â Sir Marcus puffed away on thedivan. âFor if sheâd wanted Max out, sheâd have done it blizzards ago.â
âBlizzards, Sir Marcus?â My lips curled in amusement. âYou paint words so eloquently, yet youâve failed to say why youâre here at