Heart-shaped box
years in New York City, where she’d made a studied effort to lose her accent, didn’t like being taken for a cornpone hick.
    “I got off all my shit years ago. I told you.”
    “What was that in the hall? You saw something. What’d you see?”
    He glared a warning at her, which she ignored. She stood huddled before him in her pajamas, her arms crossed under her breasts, hands tucked out of sight against her sides. Her feet were spread slightly apart, as if, should he try to move past her into the rest of the bedroom, she would block his way—an absurd prospect for a girl a hundred pounds lighter than he was.
    “There was an old man sitting out in the hall. In the chair,” he said at last. He had to tell her something and didn’t see any reason to lie. Her opinion of his sanity didn’t trouble him. “We walked right by him, but you didn’t see him. I don’t know if you can see him.”
    “That’s lunatic bullshit.” She said it with no special conviction.
    He started toward the bed, and she got out of his way, pressed herself to the wall.
    The dead man’s suit was spread neatly across his side of the mattress. The deep, heart-shaped box lay on the floor, the black lid resting next to it, white tissue paper hanging out. He caught a whiff of the suit when he was still four paces away from it and flinched. It hadn’t smelled that way when it first came out of the box, he would’ve noticed. Now it was impossible not to notice it. It had the ripe odor of corruption, something dead and spoiling.
    “Christ,” Jude said.
    Georgia stood at a distance, a hand cupped over her mouth and nose. “I know. I was wondering if there was something in one of the pockets. Something going bad. Old food.”
    Breathing through his mouth, Jude patted down the jacket. He thought it very likely he was about to discover something in an advanced state of decomposition. It would not have surprised him to find that Jessica McDermott Price had stuffed a dead rat into the suit, a little something extra to go with his purchase, at no additional charge. Instead, though, he felt only a stiff square of what was maybe plastic in one pocket. He slipped it out for a look.
    It was a photograph, one he knew well, Anna’s favorite picture of them. She had taken it with her when she left. Danny snapped it one afternoon in late August, the sunlight reddish and warm on the front porch, the day swarming with dragonflies and glittering motes of dust. Jude perched on the steps in a worn denim jacket, his Dobro over one knee. Anna sat beside him, watching him play, her hands squeezedbetween her thighs. The dogs were sprawled in the dirt at their feet, staring quizzically up at the camera.
    It had been a good afternoon, maybe one of the last good afternoons before things started to go bad, but looking at the photograph now brought him no pleasure. Someone had taken a Sharpie to it. Jude’s eyes had been marked out in black ink, covered over by a furious hand.
    Georgia was saying something from where she stood a few feet away, her voice shy, uncertain. “What did he look like? The ghost in the hall?”
    Jude’s body was turned so she couldn’t see the photograph, a lucky thing. He didn’t want her to see it.
    He struggled to find his voice. It was hard to get past the unhappy shock of those black scribbles blotting out his eyes in the picture. “An old man,” he managed at last. “He was wearing this suit.”
    And there were these awful fucking black scribbles floating in front of his eyes and they looked just like this, Jude imagined telling her, turning to show her the snapshot at the same time. He didn’t do it, though.
    “He just sat there?” Georgia asked. “Nothing else happened?”
    “He stood up and showed me a razor on a chain. A funny little razor.”
    On the day Danny took the picture, Anna was still herself, and Jude thought she’d been happy. Jude had spent most of that late-summer afternoon beneath the Mustang, and Anna had

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