time they laughed at the simplicity of itâno qualifiers, ifs, ands, or butsâhappy or sad. Now they use it as a way out of arguments not worth fighting over.
âSad not to be dancing,â Mona says to her smushed cake.
âConn will dance with you.â Jack lets go of Monaâs hand, nods toward his brother. âAnd heâs actually good at it.â
âYeah, Iâve been taking swing lessons.â Connor swallows his wine. Standing, he takes Monaâs fingers and bends into a strangely formal bow. âMs. Lockridge, may I have this dance?â
At that very moment, AnnaFram appears and floats into Connorâs chair, even though sheâs assigned to the head table with her sister.
âYouâre doing better than I ever did.â Anna winks at Mona in a way that is annoying because it seems sincere. âJack and I spent senior prom by the punch bowl.â
Feeling blood rush to her cheeks, Mona canât think of a way to get out of it, so she allows Connor to lead her out to the raised center of the ballroom.
Dancing with Jackâs brother is embarrassing. Not because Connor is that much younger, only five years, no younger than she is younger than Jack. Whatâs humiliating is that Jack saw her, and probably Connor, as a problem easily fixedâsend the kids off to go play, let the grown-ups talk. Still, after the first song, she relaxes against Connorâs chest, feels the bones of his torso through his jacket. Drakkar Noir haunts his collar, and she remembers giving him a bottle as a Christmas present last year, wonders if he wore it tonight specifically because he knew he would see her or if he liked it so much that he wears it every day.
âSo you guys and the Frams grew up together?â Mona asks. Until the fine-grained linen invitation arrived, sheâd heard virtually nothing about these Frams, was aghast and unsettled to find out they had been a huge part of Jackâs youth.
âYeah, they lived next door,â Connor says. âMrs. Fram spent all this money redecorating, and she wouldnât even let you go into certain rooms. AnnaFram and Carrie practically lived with us.â
In the years Mona has lived in Jackâs house, sheâs seen no signs of any of it, and she wonders about the artifacts. Where are the pictures of Jack and Anna at high school dances? Shots of the girls dressing Connor up like a cowboy? Where are the stuffed animals won at Cedar Point? Love letters Anna wrote Jack during college?
âDid Anna and Jack break up when she met her husband?â Mona asks, and Connorâs shoulders tighten under her arms.
âI guess they just wanted different things,â he says, hesitantly. âI mean sheâs already working on her second kid, and Jack, well, you know.â
âSure,â Mona says, and Connor loosens, drums along with the song, tapping the rhythm where he holds her at the waist. But she wonders if she does know.
âAnd then she asks me,â
Connor sings the words in her ear in a way thatâs both spooky and oddly endearingâsomething Jack would never do.
âDo I look all right? And I say yes, you look wonderful tonight.â
âYouâre drunk, arenât you?â she asks.
âI think I am, milady.â
âGood,â she says, because it seems like something Jack wouldnât say.
She thinks about this thing Connor assumes she knows. In theory Jack
should
be good with children. When Mona started dating Jack, sheâd been vision-blurring jealous of the time and effort Jack put into his orphaned brotherâchauffeuring Connor all around Clevelandâs suburbs, sitting through swim meets and parent-teacher conferences. Secretly, Mona had been thrilled when Connor packed his Nissan Sentra and headed off to school in Boulder instead of Case Western where Jack had wanted him to go.
Now she feels guilty and embarrassed for having felt that way. Now