Ernie's Ark
silence she locked eyes with him, sorrow to sorrow.
    He dropped the knife. “Fuck this, you do it,” he said to Tracey, then swaggered out. She heard her car revving in the door-yard, the radio blaring on. Now her eyes closed. A small rustle materialized near her left ear; it was Tracey, crouching next to her, holding the opened blade.
    “Shh,” Tracey said. “He’s a coward, and he doesn’t like blood, but he’s not above beating the hell out of me.” She patted Marie’s cheek. “So let’s just pretend I’ve killed you.”
    Marie began to weep, silently, a sheen of moisture beading beneath her eyes. She made a prayer to the Virgin Mary, something she had not done since she was a child. She summoned an image of Ernie sitting on the porch, missing her. Of James scraping that plate in the college cafeteria. With shocking tenderness, Tracey made a small cut near Marie’s temple just above the hairline. It hurt very little, but the blood began to course into her hair in warm, oozy tracks.
    Tracey lifted the knife, now a rich, dripping red. “You’ll be okay,” she said. “But head wounds bleed like crazy.” The horn from Marie’s car sounded in two long, insistent blasts.
    “You chose a hell of a life for yourself, Tracey,” Marie whispered.
    “Yeah,” Tracey said, closing her palm lightly over the knife. She got up. “But at least I chose.”
    “You don’t know anything about me.”
    “Ditto. Take care.”
    For much of the long evening Marie kept still, blinking into the approaching dark. She had to pee desperately but determined to hold it even if it killed her, which she genuinely thought it might. She was facing the ceiling, still tied, the blood on her face and hair drying uncomfortably. She recalled James’s childhood habit of hanging slothlike from banisters or chair-backs, loving the upside-down world. Perhaps his parents were easier to understand this way. She saw now what had so compelled him: the ceilingwould make a marvelous floor, a creamy expanse you could navigate however you wished; you could fling yourself from corner to corner, unencumbered except for an occasional light fixture. Even the walls looked inviting: the windows appeared to open from the top down, the tops of doors made odd, amusing steps into the next room, framed pictures floated knee high, their reversed images full of whimsy, hard to decode. In time she got used to the overturned room, even preferred it. It calmed her. She no longer felt sick. She understood that Ernie was on his way here, of course he was, he would be here before the moon rose, missing her, full of apology for disturbing her peace, but he needed her, the house was empty and their son was gone and he needed her as he steered down the dirt road, veering left past the big boulder, entering the dooryard to find a strange, battered car and a terrifying silence.
    “Oh, Ernie,” she said when he did indeed panic through the door. “Ernie. Sweetheart. Untie me.” In he came, just as she knew he would.
    And then? They no longer looked back on this season as the autumn when they lost their second child. This season—with its uneven temperatures and propensity for inspiring flight—they recalled instead as that one autumn when those awful people, that terrible pair, broke into the cabin. They exchanged one memory for the other, remembering Ernie’s raging, man-sized sobs as he worked at the stiff rawhide, remembering him rocking her under a shaft of moonlight that sliced through the door he’d left open, remembering, half-laughing, that the first thing Marie wanted to do, after being rescued by her prince, was pee. This moment became the turning point—this moment and no other—when two long-married peopledecided to stay married, to succumb to the shape of the rest of their life, to live with things they would not speak of. They shouldered each other into the coming years because there was no other face each could bear to look at in this moment of

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