Brick Lane

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Authors: Monica Ali
furniture out of a junk shop to display on the pavement. One of them went inside and came out again with a wheelchair. He tied a chain around it and padlocked it to an armchair as if arranging a three-legged furniture race. Nazneen changed her mind and turned around. She walked until she reached the big crossroads and waited at the kerb while the traffic roared from one direction and then the next. Twice she stepped into the road and drew back again. To get to the other side of the street without being hit by a car was like walking out in the monsoon and hoping to dodge the raindrops. A space opened up before her. God is great, said Nazneen under her breath. She ran.
    A horn blared like an ancient muezzin, ululating painfully, stretching his vocal cords to the limit. She stopped and the car swerved. Another car skidded to a halt in front of her and the driver got out and began to shout. She ran again and turned into a side street, then off again to the right onto Brick Lane. She had been here a few times with Charm, later in the day when the restaurants smelled of fresh boiled rice and old fried fat and the waiters with their tight black trousers stood in doorways holding out menus and smiles. But now the waiters were at home asleep, or awake being waited on themselves by wives who only served and were not served in return except with board and lodging and the provision of children whom they also, naturally, waited upon. And the streets were stacked with rubbish, entire kingdoms of rubbish piled high as fortresses with only the border skirmishes of plastic bottles and grease-stained cardboard to separate them. A man looked up at some scaffolding with an intent, almost ardent, expression as if his love might be at the top, cowering on the high planks or the dark slate roof. A pair of schoolchildren, pale as rice and loud as peacocks, cut over the road and hurtled down a side street, galloping with joy or else with terror. Otherwise, Brick Lane was deserted. Nazneen stopped by some film posters pasted in waves over a metal siding. The hero and heroine peered at each other with epic hunger. The scarlet of her lips matched the bandanna tied around his forehead. A sprinkling of sweat highlighted the contour of his biceps. The kohl around her eyes made them smoke with passion. Some invisible force was keeping them (only inches) apart. The type at the foot of the poster said: The world could not stop their love.
    Nazneen walked. She walked to the end of Brick Lane and turned right. Four blocks down she crossed the road (she waited next to a woman and stepped out with her, like a calf with its mother) and took a side street. She turned down the first right, and then went left. From there she took every second right and every second left until she realized she was leaving herself a trail. Then she turned off at random, began to run, limped for a while to save her ankle, and thought she had come in a circle. The buildings seemed familiar. She sensed rather than saw, because she had taken care not to notice. But now she slowed down and looked around her. She looked up at a building as she passed. It was constructed almost entirely of glass, with a few thin rivets of steel holding it together. The entrance was like a glass fan, rotating slowly, sucking people in, wafting others out. Inside, on a raised dais, a woman behind a glass desk crossed and uncrossed her thin legs. She wedged a telephone receiver between her ear and shoulder and chewed on a fingernail. Nazneen craned her head back and saw that the glass above became dark as a night pond. The building was without end. Above, somewhere, it crushed the clouds. The next building and the one opposite were white stone palaces. There were steps up to the entrances and colonnades across the front. Men in dark suits trotted briskly up and down the steps, in pairs or in threes. They barked to each other and nodded sombrely. Sometimes one clapped a hand on his companion's shoulder and Nazneen

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