We Were the Mulvaneys

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Authors: Joyce Carol Oates
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    It’s fine, I have it. It’s fine.

FAMILY CODE
    M any things were coded at High Point Farm. Like our names which could be confusing for they depended upon mood, circumstance, subtext.
    For instance, Michael Sr. was usually Dad but sometimes Curly and sometimes Captain. He could be Grouchy (of the Seven Dwarves), or Groucho (of Groucho Marx fame), he could be Big Bear, Chickie, Sugarcake—these names used exclusively by Mom. My oldest brother was usually just Mike but sometimes Mike Jr. or Mikey-Junior; sometimes Big Guy, Mule, Number Four (his football jersey number for the three years he excelled as a fullback at Mt. Ephraim High). Patrick was frequently P.J. (for Patrick Joseph) or Pinch. Marianne was frequently Button or Chickadee. My names, as I’ve said, were many, though predominantly Baby, Dimple, Ranger.
    Mom was Mom except for special names which only Dad could call her (Darling, Honeylove, Sweetheart, Sugarcake). Occasionally Mom could be called Whistle—but only within the family, never in the presence of outsiders.
    It was a matter of exquisite calibration, tact. Which code name at which time. Especially in Mom’s case, for there were times when being called Whistle seemed to vex her and other times when it was exactly what she wanted to hear—she would laugh, and blush, and roll her eyes as if her innermost soul had been exposed.
    Why Whistle? Because Mom had a habit of whistling when she believed herself alone, and to those of us who overheard, her whistling was a happy contagious sound. In the kitchen, in the antique barn; tending the animals; in her garden through the long summer and into the fall. Mom’s whistling was loud and assured as any man’s but with a shift of mood it could turn liquid and lovely as a flute. You’d listen, fascinated. You’d think Mom was speaking to you, without exactly knowing it, herself. Locking stanchions around the thick neck of a cow, scrubbing a horse’s mud-and manure-splattered coat, fending off enraged fowl who’d hoped to hide their eggs in the hay barn, especially in the early morning when she and our canary Feathers were the only ones up—there was Mom, whistling. “Faith of Our Fathers”—“The Battle Hymn of the Republic”—“Tell Me Why the Stars Do Shine”—but also “I’m Dreaming of a White Christmas” (a year-round favorite, to Dad’s exasperation)—“I’m Forever Blowing Bubbles”—“I’ll Be Seeing You”—“Heartbreak Hotel”—“Hound Dog”—“Blue Suede Shoes” (though Mom claimed to disapprove of Elvis as a poor moral example for the young). When she was in the house, Mom was likely to be whistling with Feathers, who, like most male canaries, responded excitedly when he heard whistling in or near his territory. Whistling was a quick expedient way of communicating with the livestock, of course: the horses whinnied alertly in reply, pricking their ears and flicking their tails as if to say Yes? Time to eat? Cows, goats, even sheep blinked to attention. Two deft fingers to her mouth, a shrill penetrating whistle, and Mom could bring dogs, cats, barnyard fowl and whatever else was in the vicinity to converge upon her where she stood, usually beneath one of the carports in an area designated for outdoor feeding, laughing and bountiful as the Goose Lady in our well-worn old copy of Grimm’s Fairy Tales.
    Dad whistled, too. Hummed happily under his breath. But none of his names alluded to his musical ability or lack of ability.
    Coded too were the ways in which we sometimes spoke to each other through animals. This was a means of communication that predated my birth, of course. I remember as a very young child crawling energetically on a carpet, and Dad and Mom praising me to one of the dogs—“Foxy, look! Baby is as fast as you .”
    Such a way of addressing one another

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