the station and studying, but Banks wouldn’t give them a high priority. If there had been anything of interest to him in Quinn’s study, it would be gone now. He flipped through the stack. There was nothing on Warren Corrigan or Stephen Lambert, he noticed, but also very little on Rachel Hewitt, the failure that had apparently haunted him. If Quinn had been in the habit of keeping personal files on all his cases, or at least his major cases, then what was missing would probably reveal far more than what was present, even though a clever villain would know to take a few irrelevant files along with the important one, just to muddy the waters.
Banks picked up some more folders and flipped quickly through them. He found a mix of handwritten notes and printed pages, yellow stickies and file cards, along with the occasional photocopy – a parking ticket, train ticket, passport photo, the usual odds and ends of an investigation. As a matter of routine, he checked the undersides of the drawers and backs of the filing cabinets to see if anything had been taped to them, but found nothing.
One thing he did find, in a folder stuffed with old Visa bills, was a photograph. Either the burglar had seen it and decided it was of no interest to him, or he had missed it. Curious, Banks pulled it out. It was of a young girl, aged about eighteen or nineteen, cropped from a group shot. Her arms were stretched out sideways, as if wrapped around the people on either side of her, both of whom were represented only by their shoulders.
At first Banks felt a tremor of excitement because he thought it might have been the girl in Quinn’s photos, but it clearly wasn’t her, even allowing for the possibility of disguise. This girl had fine golden-blonde hair down to her shoulders. It looked as if it had been braided then left free to tumble. She had a small nose in the centre of an oval face, an appealing overbite and light blue eyes, set in the most delicate porcelain complexion. The girl in the photo with Quinn was darker-skinned, more exotic, with fuller lips and dark eyes. This one was an English rose. So who was it? She seemed familiar, a face he had seen, perhaps more than once, and he guessed that she was Rachel Hewitt. Keith Palmer couldn’t help him. Just in case Banks was completely out on a limb he took the photo downstairs and checked it against the framed family shots he had noticed on the sideboard. It certainly wasn’t Quinn’s daughter. She had coarser brown hair, was carrying far more weight, and could by no means be said to have a porcelain complexion.
And when he looked up from the family photo, he got the shock of his life to see the same face, this time in the living, breathing flesh, standing right in front of him, a red-faced PC behind her, saying, ‘I’m sorry, sir, I couldn’t stop her. She says she’s Jessica Quinn, DI Quinn’s daughter. She lives here.’
‘I came as soon as I could,’ said Jessica, brushing past Banks into the living room, ‘What’s going on? What are all those people doing here? Have they been searching the house? Have they been in my room?’
Her voice was rising to a hysterical pitch. Banks put his arm on her shoulder, but she shook him off. ‘Jessica—’
‘You can’t do this. You just can’t do this. It’s an invasion of privacy. My father will . . . my father . . .’
And suddenly she crumpled and fell in tears on the sofa. Banks sat down opposite her in an armchair. It was best to let her cry, he thought, as the great chest-racking sobs came from her, even though she buried her face in a cushion. He gestured for DS Palmer to leave the room and carry on with the search. Jessica was still a little overweight, as she was in the family photo, and the baggy jumper and shapeless peasant skirt she wore didn’t flatter her. Her face, when Banks saw it again, was pretty enough, but dotted with teenage acne as well as streaked with tears. Her tangled hair hadn’t been washed or
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