reconnaissance. If no one was home he'd search the place, get the notebook if it was there, and get out. If the little woman was home that would make things easier. He had yet to find the person who wouldn't cooperate with the business end of a gun grinding the back of their mouth.
Leaving the road, he hiked along the bank of the creek. A thread of water appeared, then disappeared among white stones. Cutting to the left, he passed through a grove of cottonwoods and brush oaks before coming up behind Broad-
bent's barn. Moving slowly, being careful not to leave footprints, he climbed through a triple-strand barbed-wire fence and edged along the back wall of the barn. Crouching at the corner, he parted the rabbitbrush to get a view of the back of the house.
He took it in: a low adobe, some corrals, a couple of horses, a feeding area, a watering trough. He heard a high-pitched shout. Beyond the corrals there was an outdoor riding arena. The wife-Sally-held a lunge line dallied around her elbow, with a kid riding on a horse, going around and around in circles.
He raised his binoculars and she leapt into focus. He watched her body turn with the horse, front, side, back, and around again. A breeze caught her long hair and she raised a hand to brush it from her face. Jesus, she was pretty.
He moved his view to the kid. Some kind of retard, a mongoloid or something.
He turned his attention back to the house. Next to the back door was a picture window opening into the kitchen. They said in town that Broadbent was loaded-big time. He'd heard that Broadbent had grown up in a mansion surrounded by priceless art and servants. His old man had died a year ago and he'd supposedly inherited a hundred million. Looking at the house, you'd never know it. There was no sign of money anywhere, not in the house, the barn, the horses, the dusty yard and gardens, in the old International Scout sitting in the open garage or the Ford 350 dually sitting under a separate car port. If Maddox had a hundred million, he sure as shit wouldn't live in a dump like this.
Maddox set down his pack. Taking out his sketchbook and a freshly sharpened number two artist's pencil, he began sketching as much as he could of the layout of the house and yard. Ten minutes later, he crawled around behind the barn and through some brush to get a fresh angle to sketch the front and side yards. Through a pair of patio doors he studied a modest living room. Beyond was a flagstone patio with a Smoky Joe barbecue and some chairs, bordered by an herb garden. No swimming pool, nothing. The house looked empty. Broadbent, as he had hoped, was out-at least his '57 Chevy was gone from the garage and Maddox figured he'd never let anyone drive that classic except himself. He'd seen no sign of a handyman or stable hand, and the nearest neighbor was a quarter mile away.
He finished his sketch and examined it. There were three sets of doors to the house: a back door to the kitchen, a front door, and the patio doors leading to the side yard. If all doors were locked-and for planning purposes he assumed they would be-the patio doors would be the easiest to get into. They were old and he'd opened quite a few in his day with the pair of shims he carried in the rucksack. It would take less than a minute.
He heard a car, crouched. A moment later it appeared coming round the back of the house, a Mercedes station wagon, and parked. A woman got out and walked over to the arena, shouting and waving at the kid on the horse. The kid waved back, yelled some unintelligible expression of joy. The horse slowed and Broadbent's wife helped the kid off the horse. The kid ran over to the woman, hugged her. The lesson was finally over. They chatted for a while and then the kid and his mother got in the car and drove off.
The wife, Sally, was left alone.
He watched her every movement through the binoculars as she led the horse to a hitching post, unsaddled it, and groomed it, bending over to brush the
Stephanie Beck
Tina Folsom
Peter Behrens
Linda Skye
Ditter Kellen
M.R. Polish
Garon Whited
Jimmy Breslin
bell hooks
Mary Jo Putney