Tough Guys Don't Dance

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Authors: Norman Mailer
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a panacea to the world’s ills: Let no one look to sup on food grown farther away from his home than the distance he can carry it on his back in a day’s walk. An interesting idea. I soon ceased to look for ways to implement it. But it left me fierce about respecting the origins of my marijuana. Like wine that mellows in the shade of the vineyard where it grew, so would my Mary Jane be stored close to the earth out of which it sprouted.
    I felt one good full dread, therefore, at shifting the stash, and it was close to the fear with which I had awakened this morning. Truth, I needed to leave everything as it was. Nonetheless, I took the turn off the highway to the country road that (by way of a crossroad or two) would lead eventually to my sandy lane in the middle of the forest. Driving slowly, I began to realize how much I had been calling upon gifts of balance through this day. How else account for one’s aplomb—everything considered!—during the dialogue with Alvin Luther? After all, where
had
the tattoo come from?
    At that moment I was obliged to pull the car over. Where
had
the tattoo come from? This thought might as well have come upon me for thefirst time. With no warning, I was near to being as ill as the dog.
    I can tell you that by the time I was able to move forward again, it was with the absurd caution a poor driver brings to his wheel after a missed collision. I crawled.
    That way I passed through the back roads of Truro on this chill afternoon—would the sun never appear again?—and I studied the lichen on tree trunks as if their yellow spores had much to tell me, and stared at blue mailboxes on the road as though they were security itself, even halted by a green-bronze sign at a crossroads to read the raised metal letters commemorating a local boy who died in an old war. I passed many a hedge in front of many a gray-shingled salt-box whose white crushed-shell walks were still offering their whiff of the sea. In the woods, the wind was strong on this afternoon, and whenever I stopped the car, a murmur came to me like a high surf washing over treetops. Then I was out of the woods again and drove up and down abrupt little hills and passed by moors and quaking bogs and kettle bowls. I came to a well I recognized by the side of the road, and stopped and peered into its bottom where a green moss I knew would gleam back at me. Soon I was in the woods again, and the paved road was gone. Now I had to drive in low gear down the sandy lane, scratching first one side of the Porsche, then the other, on thickets and briars, but the hump in the middle was so high that I did not dare to ride the ruts.
    Then I was not certain I would get through. Rivulets crossed the road, and in several places I had to ford shallow pools where the trees grew together overhead and formed a tunnel of leaves. On sunless afternoons I had always liked to drive through the mournful, modest lay of these Truro hills and woods. Provincetown, even in winter, could seem active as a mining town in comparison with such sparse offerings. Up on any of these modest summits, if there was a high wind like today, one could watch the seawater in the distance thrash through a millrace of light and whitecaps, while the color of the ponds in the hollows remained a dark and dirty bronze. All the palette of the woods seemed to accommodate itself between. I liked the dull green of the dune grass and the pale gold of the weeds, and in that late autumn panorama when the beef’s blood and burnt orange are out of the leaves, the colors came down to gray and green and brown, but with what a play between! My eye used to find a dance of hues still left here between the field grays and the dove gray, the lilac gray and the smoke gray, the bracken brown and the acorn brown, fox brown and dun, mouse gray and meadowlark gray, and the bottle green of the moss, and sphagnum moss and fir green, holly green and seawater green at the horizon. My eye used

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