a few minutes."
Exercises? Sutty thought, glancing at the immobile stick-shins that hung from Iziezi's knees.
"If you haven't found a class and would care to come...."
The Corporation was very strong on gymnastics. Everybody in Dovza City belonged to a gymnogroup and went to fitness classes. Several times a day brisk music and shouts of One! Two! blared from the loudspeakers, and whole factories and office buildings poured their producer-consumers out into streets and courtyards to jump and punch and bend and swing in vigorous unison. As a foreigner, Sutty had mostly succeeded in evading these groups; but she looked at Iziezi's worn face and said, "I'd like to come."
She went in to find a place of honor in her bathroom for the Fertiliser's beautiful pot and to change from leggings into loose pants. When she came back out, Iziezi was transferring herself on crutches to a small powered wheelchair, Corporation issue, Starflight model. Sutty praised its design. Iziezi said dismissively, "It's all right in flat places," and took off, jolting and lurching up the steep, uneven street. Sutty walked alongside, lending a hand when the chair bucked and stuck, which it did about every two meters. They arrived at a low building with windows under the eaves and a high double door. One flap had been red and the other blue, with some kind of red-and-blue cloud motif painted above, now showing ghostly pink and grey through coats of whitewash. Iziezi headed her chair straight for the doors and barged them open. Sutty followed.
It seemed pitch-black inside. Sutty was getting used to these transitions from inside dark to outside dazzle and back, but her eyes weren't. Just inside the door, Iziezi paused for Sutty to take her shoes off and set them on a shelf at the end of a dim row of shoes, all black canvas StarMarch issue, of course. Then Iziezi steered her chair at a fearless clip down a long ramp, parked it behind a bench, and levered herself around onto the bench. It seemed to be at the edge of a large matted area, beyond which all was velvet gloom.
Sutty was able to make out shadowy figures sitting here and there cross-legged on the mat. Near Iziezi on the bench sat a man with one leg. Iziezi got herself arranged, set down her crutches, and looked up at Sutty. She made a little patting gesture at the mat near her. The door had opened briefly as someone came in, and in the brief grey visibility, Sutty saw Iziezi smile. It was a lovely and touching sight.
Sutty sat down on the mat cross-legged with her hands in her lap. For a long time nothing else happened. It was, she thought, certainly unlike any exercise class she had ever seen, and far more to her taste. People came in silently, one or two at a time. As her eyes adjusted fully, she saw the room was vast. It must be almost entirely dug into the ground. Its long, low windows, right up where the wall met the ceiling, were of a thick bluish glass that let in only diffuse light. Above them the ceiling went on up in a low dome or series of arches; she could just make out dark, branching beams. She restrained her curious eyes and tried to sit, breathe, and not fall asleep.
Unfortunately, in her experience, sitting meditation and sleep had always tended to converge. When the man sitting nearest her began to swell and shrink like the ideograms on the Fertiliser's shop wall, it roused only a dreamy interest in her. Then, sitting up a little straighter, she saw that he was raising his outstretched arms till the backs of his hands met above his head and then lowering them in a very slow, regular breath-rhythm. Iziezi and some others were doing the same, in more or less the same rhythm. The serene, soundless movements were like the pulsing of jellyfish in a dim aquarium. Sutty joined the pulsation.
Other motions were introduced here and there, one at a time, all arm movements, all in slow breath-rhythm. There would be periods of rest, and then the peaceful swelling and shrinkingâstretch
Virginia Henley
Jonathan Kellerman
Khushwant Singh
Mike Lupica
Javier Marías
Cas Sigers
Erica Jong
Nicholas Rhea
Kate Hewitt
Jill Myles