preferably. A small Jeffrey Halsyon for Aquila, bitte. Wrap her up.â
âI wouldnât have believed it,â Derelict muttered.
âAh! Ah-ha? This is not 100 proof guaranteed Ming,â Mr. Aquila exclaimed brandishing an exquisite vase. âCaveat emptor, by damn. Well, Jimmy? I snap my fingers. No Halsyons in stock, old faithful?â
âItâs extremely odd, Mr. Aquila,â Derelict seemed to struggle with himself. âYour coming in like this. A Halsyon monochrome arrived not five minutes ago.â
âYou see? Tempo ist Richtung. Well?â
âIâd rather not show it to you. For personal reasons, Mr. Aquila.â
âHimmelHerrGott! Pourquoi? Sheâs bespoke?â
âN-no, sir. Not for my personal reasons. For your personal reasons.â
âOh? God damn. Explain myself to me.â
âAnyway, it isnât for sale, Mr. Aquila. It canât be sold.â
âFor why not? Speak, old fish and chips.â
âI canât say, Mr. Aquila.â
âZut alors! Must I judo your arm, Jimmy? You canât show. You canât sell. Me, internally, I have pressurized myself for a Jeffrey Halsyon. My favorite. God damn. Show me the Halsyon or sic transit gloria mundi. You hear me, Jimmy?â
Derelict hesitated, then shrugged. âVery well, Mr. Aquila. Iâll show you.â
Derelict led Aquila past cases of china and silver, past lacquer and bronzes and suits of shimmering armor to the gallery in the rear of the shop where dozens of paintings hung on the gray velour walls, glowing under warm spotlights. He opened a drawer in a Goddard breakfront and took out an envelope. On the envelope was printed BABYLON INSTITUTE. From the envelope Derelict withdrew a dollar bill and handed it to Mr. Aquila.
âJeffrey Halsyonâs latest,â he said.
With a fine pen and carbon ink, a cunning hand had drawn another portrait over the face of George Washington on the dollar bill. It was a hateful, diabolic face set in a hellish background. It was a face to strike terror, in a scene to inspire loathing. The face was a portrait of Mr. Aquila.
âGod damn,â Mr. Aquila said.
âYou see, sir? I didnât want to hurt your feelings.â
âNow I must own him, big boy.â Mr. Aquila appeared to be fascinated by the portrait. âIs she accident or for purpose? Does Halsyon know myself? Ergo sum.â
âNot to my knowledge, Mr. Aquila. But in any event I canât sell the drawing. Itâs evidence of a felony . . . mutilating United States currency. It must be destroyed.â
âNever!â Mr. Aquila returned the drawing as though he feared the dealer would instantly set fire to it. âNever, Jimmy. Nevermore quoth the raven. God damn. Why does he draw on money, Halsyon? My picture, pfui. Criminal libels but nâimporte. But pictures on money? Wasteful. Joci causa.â
âHeâs insane, Mr. Aquila.â
âNo! Yes? Insane?â Aquila was shocked.
âQuite insane, sir. Itâs very sad. Theyâve had to put him away. He spends his time drawing these pictures on money.â
âGod damn, mon ami. Who gives him money?â
âI do, Mr. Aquila; and his friends. Whenever we visit him he begs for money for his drawings.â
âLe jour viendra, by Jeez! Why you donât give him paper for drawings, eh, my ancient of days?â
Derelict smiled sadly. âWe tried that, sir. When we gave Jeff paper, he drew pictures of money.â
âHimmelHerrGott! My favorite artist. In the looney bin. Eh bien. How in the holy hell am I to buy paintings from same if such be the case?â
âYou wonât, Mr. Aquila. Iâm afraid no one will ever buy a Halsyon again. Heâs quite hopeless.â
âWhy does he jump his tracks, Jimmy?â
âThey say itâs a withdrawal, Mr. Aquila. His success did it to him.â
âAh? Q.E.D. me, big boy,
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