of the next batch. Yolanda who suggested that I become known, professionally, as ‘The Addler’—a sort of trademark. And as I said, Yolanda who kept me on something resembling the straight and narrow.
“In the end, it was Yolanda who suggested it was time to move closer to the centre of the art world, she who besieged the British Embassy until they told her how I might register as a citizen whose papers had been lost. I did not want to leave Shanghai, not really, but it was hard on her—there are many places where the Chinese are not welcome. I thought of Paris, which is as colour-blind as one can hope for, but she was afraid the pull of the old life would prove too strong for me. Plus, she had no wish to learn another language. In the end, we agreed on London, with my mother’s adopted nationality to build on.
“Your brother helped me, as I understand he had helped Mother when I was born. And, as I later found that she had, I asked him not to inform you until I could do so myself.”
He laid the cigarette case down and looked straight at Holmes, for the first time in several minutes. “Once we decided to leave Shanghai, I married Yolanda. Neither of us believes in the concept, but I doubt the government would have permitted her to come otherwise.” He waited for a reaction from Holmes, disapproval perhaps, but when noresponse came, he continued; there were clearly more revelations to come.
“As it happened, we arrived in London less than a week after you’d left for India—we probably passed you somewhere off the coast of France. It didn’t take long before we were wishing we’d stayed in Shanghai—winter is a terrible time to come here from the tropics, everything is bitter cold and grey and lifeless. Yolanda had never had chilblains before, and the cost of coal to heat the rooms was more than the rent itself. I hired a studio and rediscovered the challenge of painting with shivering hands. Every day we thought of leaving, but we didn’t, quite.
“Then April came, and the sun appeared. Everything was brilliant, seductive, cheering—the poets are right, to make much of this country in the spring. Yolanda began to look for more permanent housing, and I sent my first London paintings to a gallery she’d located off Regent Street.
“As spring wore on, that was our life: We scraped together enough to buy a little house with a garden in Chelsea, two streets away from my studio. Yolanda began to explore the nearby parks and religious centres, and made some friends. And one day I was in town and I heard my name called—a fellow I’d met in Shanghai. An artist. He was surprised to see me, of course, but took me for a drink and introduced me to his friends, and life began to settle into a pleasant pace. …”
“Until?” Holmes prompted.
“Until the latter half of June.” Damian ran fingers through his long hair, revealing a glimpse of the scars, and went through the business of lighting another cigarette. He pinched out the match. “You have to understand: I promised Yolanda before we married that I would support her in all ways. That I would never force myself or my opinions on her. That I would always recognise her complete right to make her own choices. Yolanda and I have a marriage of freedom. We love each other, and are honest with each other, but we have our own lives and our own interests. I may do things for her churches fromtime to time, and she may come to dinner with my artist friends, but neither of us expects the other to pretend to interests that aren’t compatible.” He looked from Holmes’ face to mine, searching for sympathy, I expect. “Ours is a modern marriage,” he insisted.
“Very well,” Holmes said. “What happened in the latter half of June? And, the date?”
“The date? I don’t know, it was a weekend—a Sunday. I’d been to the park and came home to find Yolanda … troubled. She was in the sitting room with the curtains drawn and the windows shut, although
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