about in the air in what Fen took to be extreme agitation. Restoring him to normal, Fen circled the lawn picking petals from late pansies to feed him with. Ellis was specially fond of pansy petals, but like other foods, they unfortunately had to be premasticated for him. He was undershot, his biting surfaces nowhere near in alignment; left to his own devices, he bolted things and became, according to the Dickinsons, ill. Fen was not so fond of pansy petals. No matter what their original colour, they came out of his mouth black, in the form of tidy, shreddy pellets; they also left him feeling as if his teeth had been sprayed with a particularly odious cheap face-powder. Frowning, Fen conscientiously mumbled pansy petals between tongue and soft palate until Ellis gave signs of being sated. Then he went indoors to rinse his mouth, while Ellis set out on one of his trips to the wall at the lawnâs end, a favourite destination which yet never failed to amaze and terrify him by its impermeability when he arrived at it.
Fen would get on with the brawn that very evening, he thought. Meanwhile, the interior of the small refrigerator being almost entirely filled with shin of beef, he left the pigâs-head sack beside it, adopted his Quasimodo crouch and ducked successfully back into the kitchen. Here he paused by the mirror, from which, not unexpectedly, his own face looked out at him. In the fifteen years since his last appearance, he seemed to have changed very little. Peering at his image now, he saw the same tall lean body, the same ruddy, scrubbed-looking, clean-shaven face, the same blue eyes, the same brown hair ineffectually plastered down with water, so that it stood up in a spike at the crown of his head. Somewhere or other he still had his extraordinary hat. Good. At this rate, he felt, he might even live to see the day when novelists described their characters by some other device than that of manoeuvring them into examining themselves in mirrors.
His entry into the living-room shook the ancient floor-boards and disturbed a mixed pile of Duffy, Powell and Naipaul, which collapsed in several different directions simultaneously. Other post-war British novelists, in other piles, held firm. On the chesterfield the second of Fenâs animal responsibilities, a marmalade tom-cat called Stripey, lay heavily asleep. Stripey had returned earlier that morning exhausted after one of his three-day forays among the district females, expeditions which he seemed to Fen to tackle less for pleasure than because of some vague, oppressive sense of social responsibility, like a repentant long-term convict volunteering for medical experimentation. He was archetypically male, at once coarse, bumptious and pathetic.
Fen sat down beside him, letting his eyes wander over Snow, Mortimer, Manning, Fielding, Murdoch, Golding, Mittelholzer. He let them wander away again. Instead of criticizing other peopleâs novels, he would write one himself. It would be entitled
A Manx Ca.
Now all that remained was to think of something for it to be about.
The veal-and-ham pie at The Stanbury Arms had been because of having missed breakfast. Digesting, it was deterring Fen from lunch. He decided to do without lunch, a policy hewould regret around about mid-afternoon. He felt like a hero continually arriving a good deal too late to save a succession of women in distress.
The Fête didnât open till 2.30.
Stripey slumbered on, resting his gonads so as to be fit for another public-spirited bout of propagation when darkness fell. With a sigh, Fen reached over the arm of the chesterfield and picked up a bundle of the
Western Morning News,
ten daysâ issues which had been lent him by the Major, but so far had remained unread. The fact was that Routhâs murder, though admittedly
outré,
had somehow failed to snare Fenâs interest. It had snared the Majorâs. When Fen had first moved into the Dickinsonsâ cottage, the Major, an