reached a hand behind his back and tried the doorknob. It was locked.
Not wanting the day's journey to end without his getting some piece of new information or revelation, he stepped away from the door and walked over to the driveway, which went down the left side of the house to a single stand-alone garage in the rear yard. A huge Monterey pine that dwarfed the house was buckling the driveway with its roots. They were headed for the house and Pierce guessed that in another five years there would be structural damage and the question would be whether to save the tree or the house.
The garage door was open. It was made of wood that had been bowed by time and its own weight. It looked like it was permanently fixed in the open position. The garage was empty except for a collection of paint cans lined against the rear wall.
To the right of the garage was a postage-stamp-sized yard that offered privacy because of a tall hedge that ran along the borders. Two lounge chairs sat in the grass. There was a birdbath with no water in it. Pierce looked at the lounge chairs and thought about the tan lines he had seen on Lilly's body in the web page photo.
After hesitating for a moment in the yard, Pierce went to the rear door and knocked again. The door had a window cut into its upper half. Without waiting to see if someone answered, he cupped his hands against the glass and looked in. It was the kitchen. It appeared neat and clean. There was nothing on the small table pushed against the wall to the left. A newspaper was neatly folded on one of the two chairs.
On the counter next to the toaster was a large bowl filled with dark shapes that Pierce realized were rotten pieces of fruit.
Now he had something. Something that didn't fit, something that showed something wasn't right. He knocked sharply on the door's window, even though he knew no one was inside who could answer. He turned and looked around the yard for something to maybe break the window with. He instinctively grabbed the knob
and turned it while he was pivoting, "ru r &
i he door was unlocked.
Pierce wheeled back around. The knob still in his hand, he pushed and the door opened six inches. He waited for an alarm to sound but his intrusion was greeted with only silence. And almost immediately he could smell the sickly sweet stench of the rotten run. Or maybe, he thought, it was something else. He took his
^
hand off the knob and pushed the door open wider, leaned in and yelled.
"Lilly? Lilly, it's me, Henry."
He didn't know if he was doing it for the neighbors' sake or his own but he yelled her name two more times, expecting and getting no results. Before entering, he turned around and sat down on the stoop. He considered the decision, whether to go in or not. He thought about Monica's reaction earlier to what he was doing and what she had said: Just call the cops.
Now was the moment to do that. Something was wrong here and he certainly had something to call about. But the truth was he wasn't ready to give this away. Not yet. Whatever it was, it was his still and he wanted to pursue it. His motivations, he knew, were not only in regard to Lilly Quinlan, They reached further and were entwined with the past. He knew he was trying to trade the present for the past, to do now what he hadn't been able to do back then.
He got up off the back step and opened the door fully. He stepped into the kitchen and closed the door behind him.
There was the low sound of music coming from somewhere in the house. Pierce stood still and scanned the kitchen again and found nothing wrong except for the fruit in the bowl. He opened the refrigerator and saw a carton of orange juice and a plastic bottle of low fat milk. The milk had an August 18 use-by date. The juice's was August 16. It had been well over a month since the contents of each had expired.
Pierce went to the table and slid back the chair. On it was the Los Angeles Times edition from August 1.
There was a hallway running off
D M Midgley
David M. Kelly
Renee Rose
Leanore Elliott, Dahlia DeWinters
Cate Mckoy
Bonnie Bryant
Heather Long
Andrea Pyros
Donna Clayton
Robert A. Heinlein