window. Custom designed like the Mercedes itself. So I knew it was hers, and any time I saw this woman, Iâd think of Momânot that I didnât think of her all the time anyway.
When Anise moved to the house, she insisted I keep my car in the garage with Dadâs. She had no problem whatsoever leaving hers in the driveway to suffer in Floridaâs torturous heat. âItâs just a car,â she said. âNot even special.â
I made it to the dance studioâStraight to Broadwayâin record time. I sped, but I didnât get caught, so it was okay. The winter showcase was coming up in two weeks, and there was much to be done. I had been asked to work with the three-year-olds this year. The same age Iâd been when Mom first brought me to this very studio.
I went into the ladiesâ locker room and changed from my jeans and long-sleeved tee into a leotard, tights, and ballet shoes. I slipped on a pair of black shorts with âStraight to Broadwayâ embroidered on the right leg before darting out the door and to Studio A, where the little ones were already practicing.
An hour later, I left Studio A for Studio D, also known as âthe big one.â The one where my class met. It was a little after five oâclock, and I was running behind. But I stopped at my locker to check my cell phone anyway, to see if anyone had called or texted.
Only Heather. A voice message saying, âWe need to talk. Call me.â
I thought not.
I texted Anise instead: Everything okay at home? I put my phone back into my bag, shut the locker, and went into my studio where, already, most of my class had their feet up on the barres. I looked to Letya, my instructor, mouthed, âSorry,â and got in place, facing the barre. We had at least three hours of work ahead of us; our class was performing four numbers in the showcase.
I needed to stretch, which Iâd not had time to do before working with the tots. I placed my feet in first position, bent my knees for a grand plié. My stomach growled loud enough to draw the attention of Avery, my best friend, who stretched beside me.
It was then I remembered: I hadnât eaten yet today.
I sat in a corner booth, my head bent over a copy of Tess of the dâUrbervilles , when I heard the bells chime at the front door. The hostess said, âWelcome to Dennyâs.â Footsteps came toward me, but I didnât bother to look up.
âThere you are.â
I raised my eyes. My older sister Jayme-Leighâborn between Kimberly and Heatherâstood near my table. Her long copper hair was tied back with a scrunchie at the base of her neck and pulled over one shoulder. She wore tight jeans, ankle boots, and an oversized sweater with a tank top underneath. A shoulder-strap purse dangled at her hip. She looked anything but pleased.
âWhat are you doing here?â I asked, feeling miffed but not knowing why I should.
She slid into the booth opposite me. âDo you have any idea what time it is?â A waitress approached the table. Jayme-Leigh gave her an exasperated look and said, âCup of coffee. Decaf.â
âCream and sugar?â
âBlack.â
The waitress turned her attention to me. âWould you like a refill on your Coke?â
I grabbed the glass and tilted it toward me. âAh . . . yes. Please.â After the waitress walked away, I said, âWhat do you mean âwhat time it is.â It shouldnât be too late.â
âTry eleven-thirty, Ami.â Jayme-Leigh used her best âIâm so aggravatedâ voice. âDad is going stark mad. Iâve been driving all over looking.â
I looked at my watch. âOh my goodness.â I started digging in the ballet bag resting on the booth seat next to me. âDad and Anise. I need to call them.â I found the phone and flipped it open, realizing then that, somehow, it had been turned off, probably after my earlier
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