liked but whom nobody knew. He was like a book that you could feel good holding, that you could talk about without ever having read, that you could recommend.
On the advice of his lawyer, Isaac M, who gestured quotation marks in the air with every syllable of every word he spoke, Yankel pleaded guilty to all charges of unfit practice, with the hope that it might lighten his punishment. In the end, he lost his usurer's license. And more than his license. He lost his good name, which is, as they say, the only thing worse than losing your good health. Passersby sneered at him or muttered under their breath names like scoundrel, cheat, cur, fucker. He wouldn't have been so hated if he hadn't been so loved before. But along with the Garden-Variety Rabbi and Sofiowka, he was one of the vertices of the communityâthe invisible oneâand with his shame came a sense of imbalance, a void.
Safran moved through the neighboring villages, finding work as a teacher of harpsichord theory and performance, a perfume consultant (feigning deafness and blindness to grant himself some legitimacy in the absence of references), and even an ill-starred stint as the world's worst fortunetellerâ
I'm not going to lie and tell you that the future is full of promise
... He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness.
I am not sad,
he would repeat to himself over and over,
I am not sad.
As if he might one day convince himself. Or fool himself. Or convince othersâthe only thing worse than being sad is for others to know that you are sad.
I am not sad. I am not sad.
Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else.
I am not sad.
After three years he returned to the shtetlâI am the final piece of proof that all citizens who leave eventually returnâand lived a quiet life like a Sloucher fringe, sewn to the sleeve of Trachimbrod, forced to wear that horrible bead around his neck as a mark of his shame. He changed his name to Yankel, the name of the bureaucrat who ran away with his wife, and asked that no one ever call him Safran again (although he thought he heard that name every now and then, muttered behind his back). Many of his old clients returned to him, and while they refused to pay the rates of his heyday, he was nevertheless able to reestablish himself in the shtetl of his birthâas all who are exiled eventually try to do.
When the black-hatted men gave him the baby, he felt that he too was only a baby, with a chance to live without shame, without need of consolation for a life lived wrong, a chance to be again innocent, simply and impossibly happy. He named her Brod, after the river of her curious birth, and gave her a string necklace of her own, with a tiny abacus bead of her own, so she would never feel out of place in what would be her family.
As my great-great-great-great-great-grandmother grew, she remembered, of course, nothing, and was told nothing. Yankel made up a story about her mother's early deathâ
painless, in childbirth
âand answered the many questions that arose in the way he felt would cause her the least
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