she said, with a slight nod, who are curious.
But why are we curious? thought Susannah, as Irene continued to talk, the Gauloise hanging from full burgundy-colored lips, her brow furrowed as she worked on a piece of embroidery that looked like a tablecloth and covered both her knees.
They used to stone women, here, said Irene into the silence, not so very long ago. Did your husband tell you that? That is what the men tell each other, you know, and whisper into the ears of foreign men, when they get the chance to talk together. Ah, women think they want to know what men talk about! Irene scoffed. You can be sure they stoned a great many, before they got their vaunted âdemocracyâ in these parts. From my window I can see one of the stoning pillars. They say that even a hundred years ago, the base of it was still pink from blood.
Susannah rose from her cushion by the door and looked in the direction Irene pointed. There, way in the distance, toward the sea, and glinting bone white against the royal blue, yes, there was a post of some sort.
It goes on today, more than most Westerners would ever guess, said Susannah, sighing. And in some cultures they have written in their religious books the size and shape of the stones to be used. Some are of a special size and shape to break the womanâs nose, others to crack her skull. There had been many recent stonings in Saudi Arabia and Iran; a few brave women and men had risked their lives to tell the world about them.
Irene made a face. She was sitting on a cushion also. Hers was maroon. Susannahâs green. It was an amazing room. Every inch of it, walls, ceiling, floor, covered with embroidery or needlepoint. One had the feeling of being small, the size of a fly perhaps, and of lying against the bodice of a very colorful, old-fashioned Greek wedding dress.
I am impressed, said Susannah, that you know so many languages.
I am nearly seventy, said Irene. I never leave this place. What is there to do but to know everything that goes on in the world? To know everything, I had only to learn other peopleâs languages, and, with television, learn to read their weary faces.
Susannah glanced at the large television set in the corner of the room. Is it by satellite? she asked.
Of course, said Irene. From here I can see everything, even into the heart of the modern Diana. She made a face. Princess Di. I can see what a mess sheâs made of her life, but also how she tries very hard to rise to the meaning of her own name. Her name is a life raft, if she would only grab it. Irene shrugged. What would the goddess for whom she is named think of her? She pulled a thread that stuck up from her embroidery and snapped it between her teeth. She laughed, abruptly. Almost a bark.
To be a princess must have seemed like being a goddess, though, said Susannah, thoughtfully. She had a fondness for Diana, whose stricken or glowing face always confronted one, in North America, from the covers of tabloids, at the checkout counters of supermarkets, anywhere you went.
At the time of the courtship, yes, said Irene. She was so young. And after all, he was, her husband-to-be, a prince.
Hmm, said Susannah. I remember when I got it about saints and goddesses. The difference, I mean. Saints are too good to be true, and goddesses insist on being both magical and real. It is because theyâre good and bad and because with them, anything can happen, that theyâre goddesses.
Diana was a huntress, mused Irene. She knew everything about getting what she wanted; but as goddess she maintained the freedom to toss back what didnât please her. A mere princess has trouble doing that. She grunted, and tugged the section of cloth she was working on so that it more snugly fit its frame.
The evening was coming on; the afternoon had been hot and dry. Irene served tea festooned with fresh mint leaves and poured over slivered ice.
Susannah sat limply on her green cushion, which sheâd
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